by Robert Mitchell ‧ RELEASE DATE: Dec. 14, 2011
A genre-blending mission report from an atypical disillusioned Vietnam vet.
In this memoir, Mitchell (Nurturing the Souls of Our Children, 2005) describes his Vietnam service and his political, sexual, and philosophical awakening during a subsequent European journey of self-discovery.
Mitchell, the product of a nomadic childhood, attributes his early, magical outlook on life to his “Druid” ancestors; it led him to dance naked on moonlit nights beneath the gaze of the “Goddess of the Moon.” In the 1960s, he was fired up by thoughts of battle—inspired less by Cold War–era, anti-Communist fervor than by a primordial, warrior-spirit calling, à la Achilles at Troy. He put up with dehumanizing boot-camp drills so that he could have the chance to fly helicopter scout missions. But he was struck by the Vietnamese countryside and culture, feeling that the enemy Viet Cong had a personal intimacy with nature that the mechanized, “soulless” American side lacked. (In this, he claims to have foreseen America’s defeat.) When an air crash left Mitchell badly burned, he accepted an honorable discharge without ever having the “catharsis” of taking a foe’s life. Restless, he studied the classics and traveled through Europe, where a life-changing love affair with a dashing, confident German actor finally allowed him to embrace same-sex eros (love) over the siren-song of thanatos (death). In Greece, he had a dream-vision of the goddess again, hinting at a journey of rebirth: As he puts it, “the transformation of the warrior into serving the Eros spirit is the objective of the heroic struggle in the soul between love and death.” As this passage shows, the author offers a highly intellectual Vietnam War memoir that’s more poetic than most pain-wracked soldier stories. His ruminations on mythologies, metaphysics, and human sexuality—both classical and modern—have one foot on the battlefield and the other in New Age philosophy and a gay coming-of-age story. Although this book clearly and eloquently springs from the heart, armchair commandos will find their helmets spinning at the diversity of its target acquisitions.
A genre-blending mission report from an atypical disillusioned Vietnam vet.Pub Date: Dec. 14, 2011
ISBN: 978-1-4663-1303-3
Page Count: 206
Publisher: CreateSpace
Review Posted Online: May 18, 2016
Review Program: Kirkus Indie
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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