To provide for his family in an America run by libertarianism, a man becomes a living organ farm for a large medical corporation.
In the not-too-distant future, the charismatic Enrico Prima and the Freedom First party have transformed America into a libertarian country where big corporations rule. In order to pay his son’s growing health care expenses in this uncaring society, Jonathan Newman is forced to take a lucrative but horrific job with the medical conglomerate QualLab. As their new “employee,” Jonathan is strapped to a table that will mine and sell his body for fluids and tissues over the next two years, all the while isolating him from his family. Rosell’s debut tosses the reader headfirst into the antiseptic world of Jonathan’s QualLab cell, with effective imagery recalling works like Anthony Burgess’ A Clockwork Orange. Obviously political, the novel is respectably transparent with its leanings (take its slogan “and life is no tea party”), and even as a partisan cautionary tale the plot is never sacrificed for its message. The novel’s greatest strength is its world-building, hypothesizing the horrors of an unregulated free market and the nuance and gaudiness of such a system. In the spirit of good future histories, the book employs excellent foreshadowing, revealing the cracks in its world gradually, while organically introducing the reader not just to this new America, but also showing the ways in which the country was changed so dramatically. It falls short in places—the novel’s use of footnotes feels uninspired, as much of their information could have been fed naturally into the narrative and better served the story overall. Also the circumstances that allowed Enrico Prima to lead America into a libertarian dystopia are a little too vague, even with liberal suspension of disbelief. There are a few smaller problems—cliché villains and trite sexual situations, but this feels like nitpicking since Rosell’s novel is a consistently fun read with a strong message at its core. Occasionally shallow, but absolutely entertaining.
Pub Date: July 21, 2011
ISBN: 978-1461157458
Page Count: 325
Publisher: CreateSpace
Review Posted Online: Aug. 22, 2011
Kirkus Reviews Issue: Oct. 1, 2011
Review Program: Kirkus Indie
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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