by Rohan Quine ‧ RELEASE DATE: April 11, 2018
Unhurried but engrossing novel in which characters are more enticing than otherworldly technology.
In Quine’s sci-fi tale, a game designer, aided by the physical manifestations of his game characters, fights back against a company trying to sabotage his work.
Jaymi Peek’s programming skills land him a gig at a games development company—Bang Dead Games. But his high-position LA job is soon less than ideal. He realizes that Bang Dead favors profit over originality, often sparking trite concepts. He calls the ones responsible for this nose dive “the Dreary Ones.” Jaymi leaves to design his own games, but when a drone invades his property on Electra Drive, he assumes it’s a personal attack by the Dreary Ones. Conceptualizing and coding a character, or Beast, from one of his games-in-progress, Jaymi gives life to Amber, a male (in appearance) who literally crawls out of a computer monitor into “meat-space.” As Jaymi develops additional Beasts, including Evelyn and Shigem, the Dreary Ones continue their affronts, attempting to infect code or damage the Beasts’ code. Consequently, Jaymi sends Beast incarnations after the Dreary Ones (one attack involves a cockroach). Soon the physical confrontations move into the digital realm. Jaymi targets in particular Bang Dead’s tawdry game Ain’tTheyFreaky!, an open platform in which the public votes on certain people’s attractiveness or lack thereof. Hoping to counter the ugliness this game inflicts upon the world, Jaymi relentlessly battles the Dreary Ones, a war that ultimately intensifies when at least one individual winds up dead. Quine’s novel centers more on an interesting cast than fascinating sci-fi traits. Some characters are computer code in bodily form but still have depth. For example, Jaymi created Kim, in part, to be Shigem’s lover. (A nice touch: both Beasts are male.) There’s likewise a rather sublime religious theme. Though one Beast kneels in prayer in front of “his creator,” Jaymi, there’s an understated notion of free will. Jaymi assigns missions to Beasts (e.g., wreak havoc on Bang Dead) but often leaves them “to [their] own devices.” The author’s lyrical prose is profound and sometimes surreal, especially in character descriptions. “Inside Kim,” Quine writes, “there is a lonely savage from the caves, bent on pure first-degree survival, blown by chance and the primal drives of instinct and emotion, alone and uncertain on a dart from birth to death.” The plot, however, can grow repetitive. Every new Beast design leads to Bang Dead’s attempt to hack the code, and large sections of narrative repeat. This book is a prequel to the author’s earlier works whose titles are the same as Jaymi’s prospective games, and the ending neatly sets up the succeeding installment.
Unhurried but engrossing novel in which characters are more enticing than otherworldly technology.Pub Date: April 11, 2018
ISBN: 978-0-9927549-4-5
Page Count: 326
Publisher: EC1 Digital
Review Posted Online: Feb. 23, 2018
Review Program: Kirkus Indie
Share your opinion of this book
by Kristin Hannah ‧ RELEASE DATE: March 1, 2001
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Share your opinion of this book
by Larry McMurtry ‧ RELEASE DATE: June 1, 1985
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
Share your opinion of this book
More by Larry McMurtry
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
More About This Book
IN THE NEWS
SEEN & HEARD
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Trouble signing in? Retrieve credentials.
Welcome Back!
OR
Trouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.