The winning illustrations and lighthearted storytelling that made Max and Ruby such a hit are on display; unfortunately, the...
When Max accidentally loses the Warthogs’ wedding ring, a treasure hunt ensues, with Ruby leading the way.
It’s the day of the wedding, and Ruby (as usual) is instructing Max. As she twirls in her flower girl dress, Max runs from his lavender sailor suit. After all, he’d much rather be feeding gummies to his pet, a chickenlike Gob Smacker. Finally ready, Max is entrusted with the wedding band, but the Gob Smacker he stashed in his pocket sends the ring flying, right into the hotel laundry chute! And so the chase is on. Up and down the elevator, through the laundry, kitchen and halls the bunnies run, consulting their Bunnyphone map at each stop. Finally, ring in hand, Ruby arrives at the wedding on time. But Max? Oh, my. Wells’ signature illustrations will charm readers as they pore over the lovely patterns that enrich the Hotel Ritz. The lift-the-flap Bunnyphone, used throughout the story, offers a map of the hotel and indicates the characters’ whereabouts. Unfortunately, while readers may enjoy turning the flaps, the phone itself is difficult to read. Readers must turn their heads and reorient themselves to understand the map, and there are multiple floors and floor plans to navigate.
The winning illustrations and lighthearted storytelling that made Max and Ruby such a hit are on display; unfortunately, the gimmick distracts from them. (Picture book. 3-5)Pub Date: Sept. 2, 2014
ISBN: 978-0-670-78461-5
Page Count: 40
Publisher: Viking
Review Posted Online: July 15, 2014
Kirkus Reviews Issue: Aug. 15, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Plotless and pointless, the book clearly exists only because its celebrity author wrote it.
A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.
A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.
Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)Pub Date: June 9, 2015
ISBN: 978-1-250-00934-0
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
BOOK REVIEW
SEEN & HEARD
Sweet.
A caregiving bear shares with its cub how love has defined their relationship from the first moment and through the years as the cub has grown.
With rhymes and a steady rhythm that are less singsong-y than similar books, Stansbie seems to have hit a sweet spot for this offering on the I-love-you-always shelf. Readers follow the adult and child as they share special moments together—a sunset, a splash in a pond, climbing a tree, a snuggle—and the adult tells the child that the love it feels has only grown. Stansbie also takes care not to put promises in the adult bear’s mouth that can’t be delivered, acknowledging that physical proximity is not always possible: “Wherever you are, / even when we’re apart… // I’ll love you forever / with all of my heart.” The large trim size helps the sweet illustrations shine; their emphasis is on the close relationship between parent and child. Shaped peekaboo windows offer glimpses of preceding and succeeding pages, images and text carefully placed to work whatever the context. While the die cuts on the interior pages will not hold up to rough handling, they do add whimsy and delight to the book as a whole: “And now that you’re bigger, / you make my heart sing. / My / beautiful / wonderful / magical / thing.” Those last three adjectives are positioned in leaf-shaped cutouts, the turn of the page revealing the roly-poly cub in a pile of leaves, three formed by the die-cuts. Opposite, three vignettes show the cub appreciating the “beautiful,” the “wonderful,” and the “magical.”
Sweet. (Picture book. 3-5)Pub Date: Dec. 3, 2019
ISBN: 978-1-68412-910-2
Page Count: 32
Publisher: Silver Dolphin
Review Posted Online: Oct. 12, 2019
Kirkus Reviews Issue: Nov. 1, 2019
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