by Rowan Coleman ‧ RELEASE DATE: March 20, 2012
An unhappy and overweight single Londoner finds her world transformed after donning a very special pair of shoes.
As the reliable and trusted underling to gleefully ruthless talent agent Victoria Kincade, Willow Briar is used to fading into the background, especially when surrounded by Victoria’s celebrity clients. Attractive but heavy, she has seen numerous opportunities—and men—pass her by. A bit of a recluse outside of work, she remains close with her twin sister Holly, a slim, sweet mother of 4-year-old girls who lives in the suburbs. Holly is a living reminder of everything Willow could have been. So when Victoria insists Willow hide waifish starlet India Torrance in her dingy flat after an on-set romance goes bad, she knows she doesn’t really have a choice. After reluctantly agreeing, she walks into a vintage shop on a random block and walks out wearing a fabulous pair of sexy pumps. Almost instantly Willow feels better about herself, and begins to get positive attention from friends and strangers alike. And then Chloe, the pregnant teenage daughter of her ex-husband Sam, shows up on her doorstep. It was Sam, a ruggedly handsome wine merchant, who called off their marriage, but Willow blames herself. Losing Chloe in the process was extremely painful for both of them. Still smarting from Willow’s perceived abandonment, Chloe has attitude to spare, and insists Willow make it up to her by allowing her to crash at her place as well. With Chloe and the young movie star holed up and bonding, Willow tries out her new shoe-inspired confidence on her longtime best friend Daniel, a photographer with a thing for models. Willow meets up with Sam again, too, as they try to figure out what is best for Chloe. But when Willow sabotages a chance for new love, she realizes that unresolved issues from her past have kept her from a fulfilling life. Eager to change that, she takes a brave trip back to her hometown to confront an ugly family secret—before it’s too late. Coleman (The Home for Broken Hearts, 2010, etc.) seems to be trying to do too much in this novel, and the shift from comedy to drama is a bit jarring. But Willow manages to be quite a sympathetic creation. One woman’s attempt to take charge of her destiny—with a side of magic realism.
Pub Date: March 20, 2012
ISBN: 978-1-4516-0641-6
Page Count: 352
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Feb. 1, 2012
Kirkus Reviews Issue: Feb. 15, 2012
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by Claire Lombardo ‧ RELEASE DATE: June 25, 2019
Characters flip between bottomless self-regard and pitiless self-loathing while, as late as the second-to-last chapter, yet...
Four Chicago sisters anchor a sharp, sly family story of feminine guile and guilt.
Newcomer Lombardo brews all seven deadly sins into a fun and brimming tale of an unapologetically bougie couple and their unruly daughters. In the opening scene, Liza Sorenson, daughter No. 3, flirts with a groomsman at her sister’s wedding. “There’s four of you?” he asked. “What’s that like?” Her retort: “It’s a vast hormonal hellscape. A marathon of instability and hair products.” Thus begins a story bristling with a particular kind of female intel. When Wendy, the oldest, sets her sights on a mate, she “made sure she left her mark throughout his house—soy milk in the fridge, box of tampons under the sink, surreptitious spritzes of her Bulgari musk on the sheets.” Turbulent Wendy is the novel’s best character, exuding a delectable bratty-ness. The parents—Marilyn, all pluck and busy optimism, and David, a genial family doctor—strike their offspring as impossibly happy. Lombardo levels this vision by interspersing chapters of the Sorenson parents’ early lean times with chapters about their daughters’ wobbly forays into adulthood. The central story unfurls over a single event-choked year, begun by Wendy, who unlatches a closed adoption and springs on her family the boy her stuffy married sister, Violet, gave away 15 years earlier. (The sisters improbably kept David and Marilyn clueless with a phony study-abroad scheme.) Into this churn, Lombardo adds cancer, infidelity, a heart attack, another unplanned pregnancy, a stillbirth, and an office crush for David. Meanwhile, youngest daughter Grace perpetrates a whopper, and “every day the lie was growing like mold, furring her judgment.” The writing here is silky, if occasionally overwrought. Still, the deft touches—a neighborhood fundraiser for a Little Free Library, a Twilight character as erotic touchstone—delight. The class calibrations are divine even as the utter apolitical whiteness of the Sorenson world becomes hard to fathom.
Characters flip between bottomless self-regard and pitiless self-loathing while, as late as the second-to-last chapter, yet another pleasurable tendril of sisterly malice uncurls.Pub Date: June 25, 2019
ISBN: 978-0-385-54425-2
Page Count: 544
Publisher: Doubleday
Review Posted Online: March 3, 2019
Kirkus Reviews Issue: March 15, 2019
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SEEN & HEARD
by Lisa Jewell ‧ RELEASE DATE: April 24, 2018
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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