In another inside-outside book, Munro tackles the big state of Texas in a giant-sized format and vividly colorful style. While similar in many ways to previous titles in her series, the palette here is particularly bold and vibrant. The routine and expected sites such as the Alamo and Dallas skyline are paired with less-well-known sites like Palo Duro Canyon, the Antique Sewing Machine Museum, and the Devil's Rope Museum—devoted to barb wire. Sometimes the choices of illustration are puzzling as a spread, including a busy harbor, labeled "shrimp in Port Isabel," which only shows tiny pink sploshes of color in a cooler. Another labeled "Lyndon B. Johnson Space Center, Houston" appears to be the view from inside a space helmet, until the page is turned to reveal it's really outside the neutral buoyancy lab where folks are inside, floating in liquid. A map and informative five pages of text follow colorful illustrations with these minimal labels. Piquing children's interest before dosing them with fascinating facts and trivia makes this a lively read that bears study. Not adequate for reports, it does work as an enticement for tourists. True Texans may quibble at what is not included, but given a state with the fourth and ninth largest cities in the United States along with vast rural areas, it probably isn't possible to cover everything. (Nonfiction. 4-8)
Pub Date: March 1, 2001
ISBN: 1-58717-050-7
Page Count: 48
Publisher: SeaStar/North-South
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 2001
Visually accomplished but marred by stereotypical cultural depictions.
Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”
Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.
Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)Pub Date: Feb. 24, 2015
ISBN: 978-0-7636-6529-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
An invitation to wonder, imagine and look at everything (humans included) in a new way.
A young boy sees things a little differently than others.
Noah can see patterns in the dust when it sparkles in the sunlight. And if he puts his nose to the ground, he can smell the “green tang of the ants in the grass.” His most favorite thing of all, however, is to read. Noah has endless curiosity about how and why things work. Books open the door to those answers. But there is one question the books do not explain. When the wind comes whistling by, where does it go? Noah decides to find out. In a chase that has a slight element of danger—wind, after all, is unpredictable—Noah runs down streets, across bridges, near a highway, until the wind lifts him off his feet. Cowman’s gusty wisps show each stream of air turning a different jewel tone, swirling all around. The ribbons gently bring Noah home, setting him down under the same thinking tree where he began. Did it really happen? Worthington’s sensitive exploration leaves readers with their own set of questions and perhaps gratitude for all types of perspective. An author’s note mentions children on the autism spectrum but widens to include all who feel a little different.
An invitation to wonder, imagine and look at everything (humans included) in a new way. (Picture book. 4-8)Pub Date: April 14, 2015
ISBN: 978-1-60554-356-7
Page Count: 32
Publisher: Redleaf Lane
Review Posted Online: Feb. 2, 2015
Kirkus Reviews Issue: Feb. 15, 2015
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