The most cinematic Ruth Ware novel so far.
A reality TV paradise becomes a nightmare for the show’s unlucky contestants.
Lyla Santiago and Nico Reese have been dating for more than two years, and she’s beginning to feel like their relationship may be hitting a wall; she loves him, but his main focus at 28 is on his acting career, while, at 32, scientist Lyla is starting to dream about settling down. When Nico pleads with her to join him on a new reality TV show, One Perfect Couple, Lyla views it as an opportunity to see whether their relationship can go the distance—in reality as well as on TV. They arrive on a remote Indonesian island to find blue waters, white sands, romantic huts, and eight other contestants, all beautiful, glamorous, and clearly committed to bolstering their visibility by competing on the show. The director seems a bit shady; he insists (as their contract demands) that they turn in all electronics, plies them with booze, and then leaves with the crew—and the first ousted contestant. That night, a huge storm sweeps across the island. The next morning reveals a fatality among the wreckage: a hut and its inhabitant have been crushed by a tree, and the outbuildings have been destroyed. The remaining contestants are cut off from all communication, with the exception of one radio, and there is a very limited supply of food and water. So Love Island becomes Survivor, and one person in particular is set on being the last person standing. Ware offers another take on the locked-room mystery, but this time, her focus is less on creating a creepy atmosphere of dread, as she did in earlier novels, than on showing the absolute brutality of which some humans are capable. But she still has a good time herself: There’s a funny self-referential line to an earlier novel, plus some female characters MacGyver-ing a battery. The prolific Ware continues to stretch herself, taking on something new in each novel and writing strong—and increasingly kick-ass—female characters.
The most cinematic Ruth Ware novel so far.Pub Date: May 21, 2024
ISBN: 9781668025598
Page Count: 416
Publisher: Scout Press/Simon & Schuster
Review Posted Online: Feb. 17, 2024
Kirkus Reviews Issue: March 15, 2024
Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that...
Twenty-four years after a traumatic disappearance tore a Georgia family apart, Slaughter’s scorching stand-alone picks them up and shreds them all over again.
The Carrolls have never been the same since 19-year-old Julia vanished. After years of fruitlessly pestering the police, her veterinarian father, Sam, killed himself; her librarian mother, Helen, still keeps the girl's bedroom untouched, just in case. Julia’s sisters have been equally scarred. Lydia Delgado has sold herself for drugs countless times, though she’s been clean for years now; Claire Scott has just been paroled after knee-capping her tennis partner for a thoughtless remark. The evening that Claire’s ankle bracelet comes off, her architect husband, Paul, is callously murdered before her eyes and, without a moment's letup, she stumbles on a mountainous cache of snuff porn. Paul’s business partner, Adam Quinn, demands information from Claire and threatens her with dire consequences if she doesn’t deliver. The Dunwoody police prove as ineffectual as ever. FBI agent Fred Nolan is more suavely menacing than helpful. So Lydia and Claire, who’ve grown so far apart that they’re virtual strangers, are unwillingly thrown back on each other for help. Once she’s plunged you into this maelstrom, Slaughter shreds your own nerves along with those of the sisters, not simply by a parade of gruesome revelations—though she supplies them in abundance—but by peeling back layer after layer from beloved family members Claire and Lydia thought they knew. The results are harrowing.
Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that she makes most of her high-wire competition look pallid, formulaic, or just plain fake.Pub Date: Sept. 29, 2015
ISBN: 978-0-06-242905-6
Page Count: 400
Publisher: Morrow/HarperCollins
Review Posted Online: June 30, 2015
Kirkus Reviews Issue: July 15, 2015
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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