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DIE HOT WITH A VENGEANCE

ESSAYS ON VANITY

Yong’s take on beauty and fashion is revealing, playful, and heartfelt.

A vibrant essay collection about beauty, identity, and cultural acceptance.

Is beauty only skin deep, or is it in the eye of the beholder? A social construct, or part of human nature? All of the above, writes Yong in this enjoyable book. The author examines the subject of beauty from a range of perspectives, including as a former senior editor of Allure, a bible of the fashion industry. She also looks back on her personal history as an Asian kid in a mostly white school. Yong has a clever, self-deprecating sense of humor, and she recounts her career as a procession of stumbles, steps forward and back, and lucky breaks. The author is conflicted about beauty: On one hand, she loves its aesthetic qualities, while on the other, she hates the way it promotes surface over depth. Even after leaving Allure, she continued to explore the nature of beauty, emphasizing how social media has radically increased the tempo of fashion cycles. Keeping up with the trends is an exhausting process, and many women (and men) become lost in the labyrinth of influencers, brands, and celebrity endorsements. Yong has a good time puncturing some of the wilder bubbles of the fashion business, and several of her essays are comically droll. Though she doesn’t reach any definitive conclusions about the concept of beauty, she makes clear that the fashion industry is a business first and foremost, and its goal is to make profits. Consequently, women should bear its manipulative nature in mind, and perhaps get away from it every now and then. Ultimately, writes the author, “there is no inherent shame in taking pride in your appearance or wanting to look good, just as there’s no shame in coming just as you are.”

Yong’s take on beauty and fashion is revealing, playful, and heartfelt.

Pub Date: July 9, 2024

ISBN: 9780063236486

Page Count: 256

Publisher: Dey Street/HarperCollins

Review Posted Online: Feb. 29, 2024

Kirkus Reviews Issue: April 15, 2024

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A WEALTH OF PIGEONS

A CARTOON COLLECTION

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

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The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.

Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

Pub Date: Nov. 17, 2020

ISBN: 978-1-250-26289-9

Page Count: 272

Publisher: Celadon Books

Review Posted Online: Aug. 30, 2020

Kirkus Reviews Issue: Sept. 15, 2020

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CALYPSO

Sedaris at his darkest—and his best.

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In which the veteran humorist enters middle age with fine snark but some trepidation as well.

Mortality is weighing on Sedaris (Theft by Finding: Diaries 1977-2002, 2017, etc.), much of it his own, professional narcissist that he is. Watching an elderly man have a bowel accident on a plane, he dreaded the day when he would be the target of teenagers’ jokes “as they raise their phones to take my picture from behind.” A skin tumor troubled him, but so did the doctor who told him he couldn’t keep it once it was removed. “But it’s my tumor,” he insisted. “I made it.” (Eventually, he found a semitrained doctor to remove and give him the lipoma, which he proceeded to feed to a turtle.) The deaths of others are much on the author’s mind as well: He contemplates the suicide of his sister Tiffany, his alcoholic mother’s death, and his cantankerous father’s erratic behavior. His contemplation of his mother’s drinking—and his family’s denial of it—makes for some of the most poignant writing in the book: The sound of her putting ice in a rocks glass increasingly sounded “like a trigger being cocked.” Despite the gloom, however, frivolity still abides in the Sedaris clan. His summer home on the Carolina coast, which he dubbed the Sea Section, overspills with irreverent bantering between him and his siblings as his long-suffering partner, Hugh, looks on. Sedaris hasn’t lost his capacity for bemused observations of the people he encounters. For example, cashiers who say “have a blessed day” make him feel “like you’ve been sprayed against your will with God cologne.” But bad news has sharpened the author’s humor, and this book is defined by a persistent, engaging bafflement over how seriously or unseriously to take life when it’s increasingly filled with Trump and funerals.

Sedaris at his darkest—and his best.

Pub Date: May 29, 2018

ISBN: 978-0-316-39238-9

Page Count: 288

Publisher: Little, Brown

Review Posted Online: Feb. 19, 2018

Kirkus Reviews Issue: March 1, 2018

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