Homer himself would be agog.
A highlight-reel version of Odysseus’ journey home, framed as a graphic novel and plastered with fantastically dramatic pop-ups and other special effects.
Opening with Penelope working on a tapestry that transforms into an entirely different scene with the drop of a step-flap, the tale plunges on into the many escapes of Odysseus and his crew: from Polyphemus, from Circe, the Sirens and (after visiting the land of the dead) from Scylla and Charybdis. Then it’s on to Ithaca for a slaughter of suitors with a bow strung with real string, peace at last after Zeus rears up to get everyone’s attention with a foil thunderbolt and a final clinch between Odysseus and Penelope as their connubial bed levitates to reveal the deep tree roots beneath. Ita (20,000 Leagues Under the Sea, 2008) tells the tale in balloons of colloquial dialogue (“Where have you been for the last twenty years?” “Well, sweetheart, it’s an awfully long story”). Well-defined sequential panels give way to larger scenes of Polyphemus getting it in the eye with a sharpened log, of a ship with oars that row frantically with pulls of a tab, of Circe turning a man into a pig in a particularly masterful bit of paper engineering and other climactic moments. As transitions range from quick to nonexistent and the order in which gatefolds should be lifted isn’t always evident, some familiarity with the original is recommended—but even newbies will be riveted by this nonstop, high-energy retelling.
Homer himself would be agog. (Pop-up classic. 10-13)Pub Date: Dec. 1, 2011
ISBN: 978-1-4027-5867-6
Page Count: 8
Publisher: Sterling
Review Posted Online: Oct. 11, 2011
Kirkus Reviews Issue: Nov. 1, 2011
BOOK REVIEW
BOOK REVIEW
In a large, handsome format, Tarnowska offers six tales plus an abbreviated version of the frame story, retold in formal but contemporary language and sandwiched between a note on the Nights’ place in her childhood in Lebanon and a page of glossary and source notes. Rather than preserve the traditional embedded structure and cliffhanger cutoffs, she keeps each story discrete and tones down the sex and violence. This structure begs the question of why Shahriyar lets Shahrazade [sic] live if she tells each evening’s tale complete, but it serves to simplify the reading for those who want just one tale at a time. Only the opener, “Aladdin and the Wonderful Lamp,” is likely to be familiar to young readers; in others a prince learns to control a flying “Ebony Horse” by “twiddling” its ears, contending djinn argue whether “Prince Kamar el Zaman [or] Princess Boudour” is the more beautiful (the prince wins) and in a Cinderella tale a “Diamond Anklet” subs for the glass slipper. Hénaff’s stylized scenes of domed cityscapes and turbaned figures add properly whimsical visual notes to this short but animated gathering. (Folktales. 10-12)
Pub Date: Dec. 1, 2010
ISBN: 978-1-84686-122-2
Page Count: 128
Publisher: Barefoot Books
Review Posted Online: Dec. 22, 2010
Kirkus Reviews Issue: Nov. 15, 2010
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A prolific reporter of paranormal phenomena strains to bring that same sense of wonder to 12 “transposed”—that is, paraphrased from interviews but related in first person—accounts of extraordinary experiences. Some feats are more memorable than others; compared to Bethany Hamilton’s return to competitive surfing after having her arm bitten off by a shark and Mark Inglis’ climb to the top of Mount Everest on two prosthetic legs, Joe Hurley’s nine-month walk from Cape Cod to Long Beach, Calif., is anticlimactic. Dean Karnazes hardly seems to be exerting himself as he runs 50 marathons on 50 consecutive days, and the comments of an Air Force Thunderbirds pilot and a military Surgeon’s Assistant in Iraq come off as carefully bland. The survivors of a hurricane at sea, a lightning strike and a tornado, on the other hand, tell more compelling stories. Most of the color photos are at least marginally relevant, and each entry closes with a short note on its subject’s subsequent activities. Casual browsers will be drawn to at least some of the reconstructed narratives in this uneven collection. A reading list would have been more useful than the superfluous index, though. Fun, in a scattershot sort of way. (Nonfiction browsing item. 10-12)
Pub Date: March 1, 2011
ISBN: 978-1-4027-6711-1
Page Count: 136
Publisher: Sterling
Review Posted Online: Jan. 25, 2011
Kirkus Reviews Issue: Feb. 1, 2011
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