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THE COINCIDENCE ENGINE

Leith’s narrative runs mildly manic after a while, but the dichotomy between his unruffled prose and the mad events at hand...

When a British student comes to possess a physics-bending device, all hell breaks loose on his journey across America.

Former Telegraph editor Leith (Sod’s Law, 2009, etc.) spins a bewildering tale of cat-and-mouse, theoretical science and conspiracy theories in a novel that sometimes threatens to baffle its audience. A comic thriller whose characters are all deadly serious, the book shows much of the same imaginative verve as Steven Hall’s mind-bender The Raw Shark Texts (2007). The pursuers in the book are all chasing Alex Smart, a Cambridge post-grad who has impulsively flown to America to propose to his girlfriend in San Francisco. But strange happenings are afoot around Alex. The young man has inadvertently acquired a device dubbed The Coincidence Engine, which affects the way probability works and grows more powerful each time it works. This explosive effect has attracted the attention of the Directorate of the Extremely Improbable, a collection of Men (and Women) in Black led by the ambitious Red Queen. “Our job is to assess threats to national security that we don’t know exist, using methods that we don’t know work,” she says. “This produces results that we generally can’t recognize as results, and when we can recognize them as results, we don’t know how to interpret them.” We also get a satisfying back story about the engine’s mad creator, Nicolas Banacharski, who is loosely based on the reclusive mathematician Alexander Grothendieck. Trying to put things right, or at least turn them off, are Bree and Jones, a level-headed DEI agent and her psychotic partner. In Alex’s path, a 737 materializes out of a hurricane, traditional machinery malfunctions and the inevitable frogs fall from the sky. It’s a little Gravity’s Rainbow with a pinch of airport thriller and a dash of The X-Files, and a dizzying stir.

Leith’s narrative runs mildly manic after a while, but the dichotomy between his unruffled prose and the mad events at hand ultimately foster a savvy comedic groove.

Pub Date: Feb. 7, 2012

ISBN: 978-0-307-71642-2

Page Count: 288

Publisher: Crown

Review Posted Online: Jan. 17, 2012

Kirkus Reviews Issue: Feb. 1, 2012

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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