by Sam McBratney ; illustrated by Ivan Bates ‧ RELEASE DATE: Sept. 1, 2013
A pleasing portrait of a nurturing father-son relationship, McBratney’s latest should find a warm welcome.
Fans of McBratney’s best-known work, Guess How Much I Love You (illustrated by Anita Jeram, 1994), will recognize (and embrace) the cozy tone of this charming story about how to cope with mishaps.
They’re also likely to welcome little Hansie and his parents, a cuddly, anthropomorphized bear family, with open arms. Hansie behaves like a typical preschooler, busy mimicking the world around him, digging in the dirt and playing with his friends. Each scenario, however, leads to a minor injury or moment of discomfort. Hansie bangs his knee, gets sand in his eyes and knocks his head against a low-hanging branch. In each case, his father is close by, ready to apply a bandage, advise him to “blinkety blink” to clear his vision or give his head a rub. Each simple remedy is capped with a big hug and a comforting “There, there.” When his father comes home later in need of care, Hansie is happy to return the favor. McBratney’s plot doesn’t break any new ground, but he endows his ursine characters with distinct voices and effectively captures a young child’s endearingly imaginative play. Bates’ mixed-media illustrations, meanwhile, add even more sweetness and an old-fashioned feel, with rounded shapes, soft outlines, subdued colors and engaging details (don’t miss the ducks playing in the sand).
A pleasing portrait of a nurturing father-son relationship, McBratney’s latest should find a warm welcome. (Picture book. 4-7)Pub Date: Sept. 1, 2013
ISBN: 978-0-7636-6702-3
Page Count: 40
Publisher: Templar/Candlewick
Review Posted Online: June 11, 2013
Kirkus Reviews Issue: July 1, 2013
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Ashley Spires ; illustrated by Ashley Spires ‧ RELEASE DATE: April 1, 2014
Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle...
Making things is difficult work. Readers will recognize the stages of this young heroine’s experience as she struggles to realize her vision.
First comes anticipation. The artist/engineer is spotted jauntily pulling a wagonload of junkyard treasures. Accompanied by her trusty canine companion, she begins drawing plans and building an assemblage. The narration has a breezy tone: “[S]he makes things all the time. Easy-peasy!” The colorful caricatures and creations contrast with the digital black outlines on a white background that depict an urban neighborhood. Intermittent blue-gray panels break up the white expanses on selected pages showing sequential actions. When the first piece doesn’t turn out as desired, the protagonist tries again, hoping to achieve magnificence. A model of persistence, she tries many adjustments; the vocabulary alone offers constructive behaviors: she “tinkers,” “wrenches,” “fiddles,” “examines,” “stares” and “tweaks.” Such hard work, however, combines with disappointing results, eventually leading to frustration, anger and injury. Explosive emotions are followed by defeat, portrayed with a small font and scaled-down figures. When the dog, whose expressions have humorously mirrored his owner’s through each phase, retrieves his leash, the resulting stroll serves them well. A fresh perspective brings renewed enthusiasm and—spoiler alert—a most magnificent scooter sidecar for a loyal assistant.
Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle characterization for maximum delight. (Picture book. 4-7)Pub Date: April 1, 2014
ISBN: 978-1-55453-704-4
Page Count: 32
Publisher: Kids Can
Review Posted Online: Feb. 25, 2014
Kirkus Reviews Issue: March 15, 2014
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developed by Ashley Spires ; adapted by Naseem Hrab ; illustrated by Mike Shiell
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