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ULTIMAYA 1.0

THE TROUBLE WITH THE WISHES OF LEOPOLD STOKES

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Equal parts spiritual quest, unlikely love story and existential cautionary tale, Bonder’s soulful science fiction novel is about one man’s fantastical journey to understand himself—and God.

Set in the Carolinas in 1992, the story revolves around Leopold Stokes, the CEO of a regional bank who seemingly has it all. But when he buys a laptop from an old friend who owns a chain of computer stores, the technophobic banker accidentally opens up a program called Ultimaya 1.0 that features “virtual” software that promises to fulfill his deepest wishes. But Stokes—who cares little about spiritual things and thinks that God is “at best inconsequential” in the affairs of humans—questions his beliefs when the mysterious, godlike program repeatedly turns his life upside down. He becomes wildly successful in business (“the single most financially powerful man on Earth”), gets elected as a senator and evolves into nothing short of a god. But still he isn’t truly happy—and he’s still alone. After realizing that Ultimaya 1.0 is essentially a “karmic accelerator,” Stokes—an ill-tempered Alice with a Southern drawl—eventually makes it out of his existential rabbit hole and vows to set things straight with those significant in his life—but will it all be for naught? The portrayal of Stokes as a deeply flawed man is a risky but brilliant narrative move; readers will identify with him and experience his transformation on an intimate, profound level. Powered by a subtle sense of humor, brisk pacing and an action-packed, metaphysically nuanced storyline, this novel is simultaneously entertaining and enlightening; it’s powerfully moving and edifying without coming across as preachy or heavy-handed. An engaging, deeply spiritual story of salvation that will compel readers to look at the world—and themselves—in a different light.

 

Pub Date: Dec. 3, 2011

ISBN: 978-0975353257

Page Count: 287

Publisher: Human Sun Media

Review Posted Online: Nov. 28, 2011

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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DISTANT SHORES

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).

Pub Date: July 1, 2002

ISBN: 0-345-45071-X

Page Count: 352

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

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