Solid, if not revolutionary.
Albee and Ko take their shot at an early-reader biography about Alexander Hamilton.
Emergent readers (and their caregivers) familiar with Lin-Manuel Miranda’s hit musical Hamilton will be rewarded with what amounts to an illustrated highlights reel of the founding father’s life. Albee opens in medias res by describing Hamilton as “a soldier, a lawyer, and a financial wizard,” before the spare text quickly brings readers to Hamilton’s Caribbean childhood, noting his father’s abandonment, his mother’s death, and his determined rise from poverty. He’s presented as a trusted adviser to George Washington and rival to Thomas Jefferson and Aaron Burr, with Ko’s accompanying digital art depicting him with a smiling man on horseback (Washington), while on the facing page, the two other men scowl. A later spread notes major differences between Jefferson and Hamilton, including acknowledgment that Jefferson enslaved people while “Hamilton was against slavery,” but Washington’s slave-owner status isn’t named, nor is the American Revolution’s impact on Indigenous peoples. Personal milestones, such as marriage to Eliza Schuyler, are noted alongside references to his involvement in the war and his work with the nascent American government. While his death occurs on the page, strategies to keep the text within the comprehension of its audience risk undermining other historical content by omitting such terms as “revolution” and the Federalist Papers (though they do appear in backmatter).
Solid, if not revolutionary. (Early reader/biography. 6-8)Pub Date: May 1, 2018
ISBN: 978-0-06-243291-9
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: March 26, 2018
Kirkus Reviews Issue: April 15, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Blandly inspirational fare made to evoke equally shrink-wrapped responses.
An NBA star pays tribute to the influence of his grandfather.
In the same vein as his Long Shot (2009), illustrated by Frank Morrison, this latest from Paul prioritizes values and character: “My granddad Papa Chilly had dreams that came true,” he writes, “so maybe if I listen and watch him, / mine will too.” So it is that the wide-eyed Black child in the simply drawn illustrations rises early to get to the playground hoops before anyone else, watches his elder working hard and respecting others, hears him cheering along with the rest of the family from the stands during games, and recalls in a prose afterword that his grandfather wasn’t one to lecture but taught by example. Paul mentions in both the text and the backmatter that Papa Chilly was the first African American to own a service station in North Carolina (his presumed dream) but not that he was killed in a robbery, which has the effect of keeping the overall tone positive and the instructional content one-dimensional. Figures in the pictures are mostly dark-skinned. (This book was reviewed digitally.)
Blandly inspirational fare made to evoke equally shrink-wrapped responses. (Picture book. 6-8)Pub Date: Jan. 10, 2023
ISBN: 978-1-250-81003-8
Page Count: 32
Publisher: Roaring Brook Press
Review Posted Online: Sept. 27, 2022
Kirkus Reviews Issue: Oct. 15, 2022
BOOK REVIEW
Blandly laudatory.
The iconic animator introduces young readers to each “happy place” in his life.
The tally begins with his childhood home in Marceline, Missouri, and climaxes with Disneyland (carefully designed to be “the happiest place on Earth”), but the account really centers on finding his true happy place, not on a map but in drawing. In sketching out his early flubs and later rocket to the top, the fictive narrator gives Ub Iwerks and other Disney studio workers a nod (leaving his labor disputes with them unmentioned) and squeezes in quick references to his animated films, from Steamboat Willie to Winnie the Pooh (sans Fantasia and Song of the South). Eliopoulos incorporates stills from the films into his cartoon illustrations and, characteristically for this series, depicts Disney as a caricature, trademark mustache in place on outsized head even in childhood years and child sized even as an adult. Human figures default to white, with occasional people of color in crowd scenes and (ahistorically) in the animation studio. One unidentified animator builds up the role-modeling with an observation that Walt and Mickey were really the same (“Both fearless; both resourceful”). An assertion toward the end—“So when do you stop being a child? When you stop dreaming”—muddles the overall follow-your-bliss message. A timeline to the EPCOT Center’s 1982 opening offers photos of the man with select associates, rodent and otherwise. An additional series entry, I Am Marie Curie, publishes simultaneously, featuring a gowned, toddler-sized version of the groundbreaking physicist accepting her two Nobel prizes.
Blandly laudatory. (bibliography) (Picture book/biography. 6-8)Pub Date: Sept. 10, 2019
ISBN: 978-0-7352-2875-7
Page Count: 40
Publisher: Dial Books
Review Posted Online: Aug. 17, 2019
Kirkus Reviews Issue: Sept. 1, 2019
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