Not simply the story of a disease, but of the flawed, complex, intelligent people whose lives it transformed.
The power of this graphic memoir is not that its story about a family dealing with Alzheimer’s is so extraordinary, but that it has become so ordinary.
In her first book, Canadian writer and cartoonist Leavitt shows her mother agreeing to have her experiences with the disease documented because “[m]aybe this will help other families!” And likely it will, letting those experiencing the dementia of someone they love know what to expect, and to reassure that the tangled emotions they feel in response—anger, frustration, devotion, humor—are inevitable. Though this is primarily an account of the author’s experiences as her mother becomes all but emotionally unrecognizable, it is also a narrative spanning two generations of complicated family dynamics. Leavitt illustrates significant differences between her mother’s closeness with her sisters and how the disease affects those relationships, and the contrasting tension between the author and her sister. It shows the strains that Alzheimer’s puts on everything—from the sufferer’s well being and sense of purpose to a loving marriage to the physical demands of caring for someone who can no longer care for herself. The narrative is human, honest, loving and occasionally even funny. “I created this book,” Leavitt writes in the introduction, “to remember her as she was before she got sick, but also to remember her as she was during her illness, the ways in which she was transformed and the ways in which parts of her endured. As my mother changed, I changed too, forced to reconsider my own identity as a daughter and as an adult and to recreate my relationship with my mother.”
Not simply the story of a disease, but of the flawed, complex, intelligent people whose lives it transformed.Pub Date: May 1, 2012
ISBN: 978-1-61608-639-8
Page Count: 128
Publisher: Skyhorse Publishing
Review Posted Online: Jan. 31, 2012
Kirkus Reviews Issue: Feb. 15, 2012
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
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