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TANGLES

Name: TANGLES
Author: Sarah Leavitt
ISBN: 978-1-61608-639-8

A STORY ABOUT ALZHEIMER'S, MY MOTHER, AND ME

by Sarah Leavitt illustrated by Sarah Leavitt ‧ RELEASE DATE: May 1, 2012

Not simply the story of a disease, but of the flawed, complex, intelligent people whose lives it transformed.

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The power of this graphic memoir is not that its story about a family dealing with Alzheimer’s is so extraordinary, but that it has become so ordinary.

In her first book, Canadian writer and cartoonist Leavitt shows her mother agreeing to have her experiences with the disease documented because “[m]aybe this will help other families!” And likely it will, letting those experiencing the dementia of someone they love know what to expect, and to reassure that the tangled emotions they feel in response—anger, frustration, devotion, humor—are inevitable. Though this is primarily an account of the author’s experiences as her mother becomes all but emotionally unrecognizable, it is also a narrative spanning two generations of complicated family dynamics. Leavitt illustrates significant differences between her mother’s closeness with her sisters and how the disease affects those relationships, and the contrasting tension between the author and her sister. It shows the strains that Alzheimer’s puts on everything—from the sufferer’s well being and sense of purpose to a loving marriage to the physical demands of caring for someone who can no longer care for herself. The narrative is human, honest, loving and occasionally even funny. “I created this book,” Leavitt writes in the introduction, “to remember her as she was before she got sick, but also to remember her as she was during her illness, the ways in which she was transformed and the ways in which parts of her endured. As my mother changed, I changed too, forced to reconsider my own identity as a daughter and as an adult and to recreate my relationship with my mother.”

Not simply the story of a disease, but of the flawed, complex, intelligent people whose lives it transformed.

Pub Date: May 1, 2012

ISBN: 978-1-61608-639-8

Page Count: 128

Publisher: Skyhorse Publishing

Review Posted Online: Jan. 31, 2012

Kirkus Reviews Issue: Feb. 15, 2012

Categories:

BIOGRAPHY & MEMOIR | GENERAL GRAPHIC NOVELS & COMICS | GENERAL BIOGRAPHY & MEMOIR

- PROFILES
‘Tangles’ Tells Story of Alzheimer’s in Graphic Form

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THE 48 LAWS OF POWER

by Robert Greene ‧ RELEASE DATE: Sept. 1, 1998

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

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The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1998

Categories:

GENERAL BIOGRAPHY & MEMOIR | BIOGRAPHY & MEMOIR | PHILOSOPHY & RELIGION | PSYCHOLOGY | HISTORICAL & MILITARY

- BOOK REVIEW
THE LAWS OF HUMAN NATURE
by Robert Greene

- BOOK REVIEW
MASTERY
by Robert Greene

- BOOK TO SCREEN
Drake Producing 48 Laws of Power Show

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INTO THE WILD

by Jon Krakauer ‧ RELEASE DATE: Jan. 1, 1996

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990).

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)