A playful puzzle with an elegant veneer and abundant twists.
The missing piece of a masterful stage play spawns an abundance of mayhem, both mortal and supernatural.
Rayne’s intricate triple-decker thriller begins in 1908 with the sprawling Fitzglen clan, whose members are equally adept at theatrical production and sublime thievery. Colorful old Great Uncle Montague has recently died, and a family meeting focuses on both funeral arrangements and future felonious plans. Together, these drive a search of Montague’s stately but run-down home in Notting Hill, where his heirs find the manuscript of an unproduced play written by renowned Irish dramatist Phelan Rafferty. Could Montague’s apparent relationship with the late playwright be leveraged for a major financial score? A snag in the plan comes in the person of Rafferty’s daughter, Ethne, who likes to avoid the limelight. The plot literally thickens with the discovery that the play has a missing or “hidden scene.” When news of the play gets out, Ethne is besieged with offers to produce. Complementing and fueling this jaunty plot are two others with roots in different centuries. Back in the 1700s, Seamus Rafferty, Phelan’s ancestor and something of a literary detective, discovers letters from yet two centuries earlier that are the source of the play in question: a darker tale of forbidden love, murder, and a desperate coverup. Rayne’s large, engaging cast of charismatic charlatans seems poised to reach beyond this second installment in the Theatre of Thieves series for still more suspenseful adventures.
A playful puzzle with an elegant veneer and abundant twists.Pub Date: June 4, 2024
ISBN: 9781448310951
Page Count: 288
Publisher: Severn House
Review Posted Online: April 17, 2024
Kirkus Reviews Issue: May 15, 2024
Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that...
Twenty-four years after a traumatic disappearance tore a Georgia family apart, Slaughter’s scorching stand-alone picks them up and shreds them all over again.
The Carrolls have never been the same since 19-year-old Julia vanished. After years of fruitlessly pestering the police, her veterinarian father, Sam, killed himself; her librarian mother, Helen, still keeps the girl's bedroom untouched, just in case. Julia’s sisters have been equally scarred. Lydia Delgado has sold herself for drugs countless times, though she’s been clean for years now; Claire Scott has just been paroled after knee-capping her tennis partner for a thoughtless remark. The evening that Claire’s ankle bracelet comes off, her architect husband, Paul, is callously murdered before her eyes and, without a moment's letup, she stumbles on a mountainous cache of snuff porn. Paul’s business partner, Adam Quinn, demands information from Claire and threatens her with dire consequences if she doesn’t deliver. The Dunwoody police prove as ineffectual as ever. FBI agent Fred Nolan is more suavely menacing than helpful. So Lydia and Claire, who’ve grown so far apart that they’re virtual strangers, are unwillingly thrown back on each other for help. Once she’s plunged you into this maelstrom, Slaughter shreds your own nerves along with those of the sisters, not simply by a parade of gruesome revelations—though she supplies them in abundance—but by peeling back layer after layer from beloved family members Claire and Lydia thought they knew. The results are harrowing.
Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that she makes most of her high-wire competition look pallid, formulaic, or just plain fake.Pub Date: Sept. 29, 2015
ISBN: 978-0-06-242905-6
Page Count: 400
Publisher: Morrow/HarperCollins
Review Posted Online: June 30, 2015
Kirkus Reviews Issue: July 15, 2015
A unique story of transcendent love.
An aimless young musician meets the girl of his dreams only to have his newfound happiness threatened by several inexplicable—and possibly supernatural—events.
The story opens as Leeds Gabriel meets with a detective while his girlfriend, Layla, is restrained in a room one flight above them. Through the interview, readers learn that Leeds was wasting both his time and his musical talent playing backup for a small-town wedding troupe called Garrett’s Band when he spied Layla dancing her heart out to their mediocre music at a wedding. When Leeds approaches Layla, their connection is both instant and intense. A blissful courtship follows, but then Leeds makes the mistake of posting a picture of himself with Layla on social media. A former girlfriend–turned-stalker wastes no time in finding and attacking Layla. Layla spends months recovering in a hospital, and it seems the girl Leeds fell for might be forever changed. Gone is her special spark, her quirkiness, and the connection that had entranced Leeds months before. In a last-ditch effort to save their relationship, he brings Layla back to the bed-and-breakfast where they first met. When they get there, though, Leeds meets Willow, another guest, and finds himself drawn to her in spite of himself. As events unfold, it becomes clear that Willow will either be the key to saving Leeds’ relationship with Layla or the catalyst that finally extinguishes the last shreds of their epic romance. Told entirely from Leeds’ point of view, the author’s first foray into paranormal romance does not disappoint. Peppered with elements of mystery, psychological thriller, and contemporary romance, the novel explores questions about how quickly true love can develop, as well as the conflicts that can imperil even the strongest connections. Despite a limited cast of characters and very few setting changes, the narrative manages to remain both fast-paced and engaging. The conclusion leaves a few too many loose ends, but the chemistry between the characters and unexpected twists throughout make for a satisfying read.
A unique story of transcendent love.Pub Date: Dec. 8, 2020
ISBN: 978-1-5420-0017-8
Page Count: 301
Publisher: Montlake Romance
Review Posted Online: Sept. 15, 2020
Kirkus Reviews Issue: Oct. 1, 2020
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