Pleasing, predictable modern fairy tale.
Dissed girlfriend exacts revenge on her ungrateful lover.
It’s a standard mismatch in literary relationships: cocky, hot boyfriends paired with faithful, mousy girlfriends. These ubiquitous rogues take the love and support of their women for granted. Boston Admissions Counselor Genie Michaels is no exception. For four years, she’s supported her English Literature professor boyfriend, Hugh, as he struggled to complete his first novel. She’s given him pep talks, free editorial services and her undying devotion. Mostly Genie feels lucky to have landed such a handsome and erudite lover. Genie’s dealt a blow when Hugh hits it big with his debut. While on his publicity tour, he unceremoniously dumps Genie for another woman, and she learns of the betrayal when he proposes to this mysterious minx during a Barbara Walters interview. Thanks to a pugnacious friend, Genie decides to turn her adversity into opportunity. Since Hugh never goes public with his fiancée’s name, Genie convinces her friends and family that she was the recipient of Hugh’s on-air proposal. She revels in the bride-to-be glow. She blossoms under all the attention and starts to make changes. In addition to getting in shape and buying fancy undies, she vows to get out of her cramped apartment and into a beautiful new home. That’s where Nick, a hunky carpenter, comes into play. Genie’s brother tries to convince Genie to purchase the home he and Nick are renovating. Sparks fly in this “love at first sight” pairing. But just as Genie seems on the path to happiness, Hugh comes back into the picture. The now sexy Genie finally has some intriguing romantic options. The plot’s not much, but Strohmeyer (The Cinderella Pact, 2006, etc.) succeeds in crafting Genie into an underdog worthy of sympathy. In the end, this plucky girl deserves a Prince Charming.
Pleasing, predictable modern fairy tale.Pub Date: June 21, 2007
ISBN: 978-0-525-95018-9
Page Count: 336
Publisher: Dutton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2007
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
This book sings with the terrible silence of dead civilizations in which once there was valor.
Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.
Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.
This book sings with the terrible silence of dead civilizations in which once there was valor.Pub Date: Jan. 23, 1958
ISBN: 0385474547
Page Count: 207
Publisher: McDowell, Obolensky
Review Posted Online: April 23, 2013
Kirkus Reviews Issue: Jan. 1, 1958
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
