The World's Toughest Book Critics ℠
 
Cover art for THE PRESIDENT AND THE ASSASSIN
Rate this book:
Loved it
Liked it
Meh...
Don't bother

THE PRESIDENT AND THE ASSASSIN

McKinley, Terror, and Empire at the Dawn of the American Century
A rich, rapacious America clashes with its downtrodden and idealistic in this ambitious, wide-ranging study. Read full review
Buy this book from
Buy this book from Amazon
Buy this book from Barnes and Noble
Buy this book from IndieBound
Save for later:
Add to my list
MORE BY SCOTT MILLER
Cover art for ALASKA
by Luree Miller
 
Similar books suggested by our critics:
Cover art for EMPIRE BY DEFAULT
by Ivan Musicant
Cover art for MURDERING MCKINLEY
by Eric Rauchway
Cover art for WILLIAM MCKINLEY
by Kevin Phillips
Cover art for THE DESTINY OF THE REPUBLIC
by Candice Millard
Cover art for INDEPENDENCE
by John E. Ferling
Cover art for MADISON AND JEFFERSON
by Andrew Burstein
Cover art for JAMES MADISON
by Richard Brookhiser
Cover art for LINCOLN ON WAR
by Harold Holzer
Cover art for THE LAST FOUNDING FATHER
by Harlow Giles Unger
 
THE PRESIDENT AND THE ASSASSIN (reviewed on April 15, 2011)

A rich, rapacious America clashes with its downtrodden and idealistic in this ambitious, wide-ranging study.

The era leading up to the assassination of President William McKinley in 1901 was defined by enormous expansion in American industry and muscle-flexing abroad as well as the potent rise of labor unrest and revolutionary ideas such as anarchy. The growth of railroads, steel output, consumer goods, patents and sheer American ingenuity enriched the captains of industry, while the laborers, assembly-line workers, coal miners and armies of poor immigrants performed mind-numbing tasks for quarters and dimes per day. Wall Street Journal correspondent Miller harnesses several narratives successively. He moves between the coffer-rich Republican election of the self-made man and Civil War hero McKinley against the populist William Jennings Bryan, to the meeting between the painfully shy working-class loner in Cleveland, Leon Czolgosz, and the charismatic anarchist speaker Emma Goldman. Fired up by Goldman’s words on social revolution and liberty—which in turn had emerged from a movement that Miller neatly traces from the work of Edmund Burke, William Godwin and the Transcendentalists—Czolgosz steeled himself for the “propaganda of the deed”—e.g., the kind of deadly terrorism that was rocking European capitals in the 1890s. Meanwhile, McKinley was faced with international crises that he would manipulate effectively for American imperialist gain, such as the annexation of Hawaii, defeat of Spain for the protectorate of Cuba and the Philippines, takeover of Guam and Puerto Rico and an attempted Open Door policy toward China (thwarted by the Boxer Rebellion).

This is a wildly complex and significant period in American history, and Miller does a solid job of attending to the many boiling pots on the stove.

 


Pub Date: June 14th, 2011
ISBN: 978-1-4000-6752-7
Page count: 432pp
Publisher: Random House
Review Posted Online: April 5th, 2011
Kirkus Reviews Issue: April 15th, 2011