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BEYOND THE SAND CREEK BRIDGE

An enjoyable, informative historical drama.

An entertaining debut historical novel about Chinese immigrants fighting for love and equality in the old West.

In 1879, Mei-Yin’s father promised her hand in marriage to her first love, Hok-Ling. The price: three years’ wages from working on railroads in the “Gold Mountain”—the American West. By 1882, however, Hok-Ling still has not returned, and Mei Yin’s father gambles Mei-Yin away to a strange man at the mahjong table. Mei-Yin is devastated and runs away to search for Hok-Ling in America herself. Disguised as a man, Mei-Yin stows away on a ship bound for California, and she eventually locates Hok-Ling in Sandpoint, Idaho. But her dreams of a fairy-tale reunion are quickly shattered when Roger Langston, Sandpoint’s sheriff, is found murdered under the local Sand Creek Bridge, and the townspeople accuse Hok-Ling of murder. Mei-Yin believes all hope is lost—until she hears that recent Harvard graduate and attorney-in-training Jason McQuade will represent Hok-Ling in his trial. McQuade believes in equality for all men, and wants to make sure that Hok-Ling will receive a fair trial. However, after he meets and becomes enraptured with Mei-Yin, he finds himself torn between his desire to have her and his desire for justice. Wyatt’s novel offers an unusual look at the era of westward expansion and 19th-century American racism and xenophobia. The stories of the star-crossed lovers and the murder trial are suspenseful and compelling throughout, although, at times, the plot feels somewhat contrived; for example, readers may find it hard to believe that Mei-Yin, a poor woman unable to speak English, would be able to locate Hok-Ling in Idaho without assistance. In the end, however, what the novel lacks in plausibility it makes up with captivating storytelling, well-developed characters and a moving message about equal rights.

An enjoyable, informative historical drama. 

Pub Date: Nov. 30, 2012

ISBN: 978-0988238800

Page Count: 442

Publisher: Highland House Press

Review Posted Online: Feb. 12, 2013

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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