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SITTING BULL

LAKOTA WARRIOR AND DEFENDER OF HIS PEOPLE

Solidly historical and far more heartfelt than those on the overcrowded shelf of assignment-fodder profiles.

A reverent tribute to the great Hunkpapa chief and holy man, cast as a memoir with a rich array of new and contemporary illustrations.

Nelson also pays tribute (as he has elsewhere) to ledger-book art, with scenes done in that simple style. Here they depict, along with mystical symbols and traditional hunts and battles, a steamboat, a busy city street, the slaughter of women and children at Killdeer Mountain, Custer’s death (depicted as a suicide) at Little Big Horn, and Sitting Bull’s murder by a Lakota police officer. Sitting Bull himself, aptly named for a buffalo that would never back down, retraces in dignified language his early years, long struggles with the “wasichus” over invasions and broken promises, and his end. His is a strong voice, whether scorning subservient “Hang-Around-the-Forts” or commending his great contemporaries—of Crazy Horse: “He fought like a thunderstorm. I liked that man.” He closes with a stirring exhortation to “honor those traditions that still serve our people,” to “Brave up!” and to “go forth with a good heart.” The first-person narration makes this problematic as nonfiction, but the backmatter provides a wealth of information. Along with period photos distributed throughout and a detailed timeline of Lakota history up to Wounded Knee, Nelson’s lengthy closing notes on Lakota practices and spiritual beliefs will leave readers with a rich picture of this noble figure’s personal and cultural context.

Solidly historical and far more heartfelt than those on the overcrowded shelf of assignment-fodder profiles. (endnotes, bibliography, index) (Historical fiction. 10-13)

Pub Date: Nov. 3, 2015

ISBN: 978-1-4197-0731-5

Page Count: 64

Publisher: Abrams

Review Posted Online: July 21, 2015

Kirkus Reviews Issue: Aug. 15, 2015

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LA MALINCHE

THE PRINCESS WHO HELPED CORTÉS CONQUER THE AZTEC EMPIRE

An inventive introduction to a fascinating historical figure.

Another collaborative effort by the team that created The Poet King of Tezcoco: A Great Leader of Ancient Mexico (2007) chronicles the life of a controversial figure in pre-colonial Mesoamerica.

The indigenous woman who would serve as Hernán Cortés’ interpreter and companion was born in the early 1500s as Malinali and later christened Marina. She is now called La Malinche. Besides serving as translator to the Spaniard, she also gave him advice on native customs, religious beliefs and the ways of the Aztec. While Marina’s decision to help the Spanish in their often brutal quest for supremacy has led to many negative associations, others see her as the mother of all Mexicans, as she and Cortés had the first recorded mestizo. Although many of the details surrounding the specifics of Marina’s life were unrecorded, Serrano strengthens the narrative with quotations by her contemporaries and provides a balanced look at the life of a complicated, oft-maligned woman. Headers provide structure as events sometimes shift from the specific to the very broad, and some important facts are glossed over or relegated to the timeline. Reminiscent of pre-colonial documents, the illustrations convey both Marina’s adulation of Cortés and the violence of the Spanish conquest, complete with severed limbs, decapitations and more.

An inventive introduction to a fascinating historical figure. (map, chronology, glossary, sources and further reading) (Nonfiction. 10-12)

Pub Date: Oct. 16, 2012

ISBN: 978-1-55498-111-3

Page Count: 40

Publisher: Groundwood

Review Posted Online: Sept. 11, 2012

Kirkus Reviews Issue: Oct. 1, 2012

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STATES AND CAPITALS

UNITED WE STAND!

From the Basher History series

Chatty, formulaic, superficial—and dispensable, as the content is neither reliable nor systematic. .

Sprouting bodies and grins, the states introduce themselves alphabetically in this Basher History gallery.

Following the series’ cast-in-stone design, each entry poses in a cartoon portrait with small emblems representing prominent physical features, industry, number of native U.S. presidents and other select distinctions. On opposite pages, a hearty self-description dominates: “Aloha! Come and hang ten with me, dude. I’m a bunch of chilled-out islands in the Pacific, but I have a fiery heart.” This is sandwiched between bulleted lists of superficial facts, from state bird, flower and nickname to (for Arkansas) “Known for diverse landscape, extreme weather, and Walmart.” U.S. territories bring up the rear, followed by a table of official state mottos and, glued to the rear cover, a foldout map. Along with out-and-out errors (a mistranslation of “e pluribus unum”) and unqualified claims (Boston built the first subway), Green offers confusing or opaque views on the origins of “Hawkeye,” “Sooners,” some state names and which of two “Mississippi Deltas” was the birthplace of the blues. Furthermore, a reference to “sacred hunting grounds” in West Virginia and Kentucky’s claim that “It wasn’t until pioneer Daniel Boone breached the Cumberland Gap…that my verdant pastures were colonized” are, at best, ingenuous.

Chatty, formulaic, superficial—and dispensable, as the content is neither reliable nor systematic. . (index, glossary) (Nonfiction. 10-12)

Pub Date: July 22, 2014

ISBN: 978-0-7534-7138-8

Page Count: 128

Publisher: Kingfisher

Review Posted Online: May 27, 2014

Kirkus Reviews Issue: June 15, 2014

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