“Had Gadya” or “One Little Goat” traditionally brings the annual Passover Seder to a close as families jubilantly sing each portion over and over again. Unlike the classic 1979 Marilyn Hirsh school-play version, Chwast illustrates the characters of the goat, cat, dog, stick, fire, water, ox, butcher, angel of death and God with an Eastern European folktale flavor, but almost ignores the cumulative repetition other than the traditional last line of “Had gadya,” thus curtailing the fun of the lively vocal participation. He displays each addition at the top of the page, while scenes of a village life with holiday preparations are below in bright-colored acrylic, though unappealingly clotted, folk-art paintings. Backmatter includes the musical score and the original Aramaic version with suggestions for dramatic acting, as well as a good explanation by Rabbi Michael Strassfeld on the history and symbolic meaning of the song. (Picture book. 3-7)
Pub Date: March 1, 2005
ISBN: 1-59643-033-8
Page Count: 32
Publisher: Roaring Brook Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2005
Not enough tricks to make this a treat.
Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.
Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)
Not enough tricks to make this a treat. (Picture book. 4-7)Pub Date: Aug. 2, 2022
ISBN: 978-1-72821-035-3
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Sweet and silly—good enough for Halloween
The barnyard animals love Halloween. Farmer Brown does not. Sounds like the perfect time for tricks and treats!
Since Farmer Brown wants nothing to do with the scary holiday, “he leaves a bowl of candy on the porch….draws the shades and locks the door.” Out in the barn, though, the party is just getting started. Saturated watercolors show Cow dressed as a skeleton, the chickens looking quite ghostly and the sheep donning witch hats. As field mice and cats arrive, creepy sounds begin. The “crunch, crunch, crunching” and the “creak, creak, creaking” lead to a “tap, tap, tapping.” Hearing them, Farmer Brown peeks out his window to investigate. Readers will chuckle and easily recognize “the dark creature standing beneath the trees.” The farmer, however, runs to his bedroom to pull the covers up over his head. Now the sounds repeat, as the figure comes closer. This time, though, the tapping is followed by a “quack, quack, quackle.” Wait—“Quackle??” Farmer Brown goes out to the porch to find the candy bowl gone and a note on the door announcing, “Halloween Party at the barn!” The chorus of onomatopoeic phrases throughout the briskly paced text guarantees an interactive read-aloud, though fans of Duck’s earlier outings will miss their satiric bite.
Sweet and silly—good enough for Halloween . (Picture book. 3-6)Pub Date: Aug. 13, 2013
ISBN: 978-1-4424-6553-4
Page Count: 40
Publisher: Atheneum
Review Posted Online: July 16, 2013
Kirkus Reviews Issue: Aug. 1, 2013
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