A richly illustrated view of the seasons through haiku.
First-time author Farrar here teams up with the Caldecott Honor–winning Plume (The Bremen Town Musicians, 1980, etc.) to capture signature poetic snapshots of the four seasons.
While global warming may make these 13 haiku noting distinctions among the seasons ever more historical as the years continue to come round, the evocative scenes Farrar paints are sure to inspire young readers to note cyclical changes in the natural world. And just in case these wonderfully imagistic poetic kernels or Plume’s warm, lushly hued watercolors miss their mark, readers can always turn to Farrar’s prose expositions on time and the seasons at the volume’s end. But the tight marriage of word and image present in the majority of these double-page spreads should render that explanatory annex unnecessary. Farrar excels in choosing natural elements and events that prove quintessentially seasonal. “Like tiny fallen / stars, fireflies quietly blink / their secrets at dusk” suggests the magical depth of a summer’s twilight without needing a syllable more. Similarly, Plume’s exquisite artistry renders a slightly more complex winter poem—“Each windowpane’s a / masterpiece, personally / signed: Your Friend, Jack Frost”—accessible through its abstract amalgam of blue, gray and white icy designs. Plume smartly avoids the temptation to overcompensate for the spareness of these 17-syllable works, lending to Farrar’s year outdoors graphic dimensions as vibrant as nature itself.
A richly illustrated view of the seasons through haiku. (Picture book/poetry. 4-8)Pub Date: Sept. 1, 2012
ISBN: 978-0-8075-8129-2
Page Count: 32
Publisher: Whitman
Review Posted Online: July 31, 2012
Kirkus Reviews Issue: Aug. 15, 2012
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A lushly illustrated homage to librarians who provide a welcome and a home away from home for all who enter.
A love letter to libraries.
A Black child, with hair in two puffballs tied with yellow ribbons, a blue dress with a Peter Pan collar, and black patent leather Mary Janes, helps Grandmother with the housework, then, at Grandmother’s suggestion, heads to the library. The child’s eagerness to go, with two books under an arm and one in their hand, suggests that this is a favorite destination. The books’ wordless covers emphasize their endless possibilities. The protagonist’s description of the library makes clear that they are always free to be themselves there—whether they feel happy or sad, whether they’re reading mysteries or recipes, and whether they feel “quick and smart” or “contained and cautious.” Robinson’s vibrant, carefully composed digital illustrations, with bright colors that invite readers in and textures and patterns in every image, effectively capture the protagonist’s passion for reading and appreciation for a space where they feel accepted regardless of disposition. In her author’s note, Giovanni states that she spent summers visiting her grandmother in Knoxville, Tennessee, where she went to the Carnegie Branch of the Lawson McGhee Library. She expresses gratitude for Mrs. Long, the librarian, who often traveled to the main library to get books that Giovanni could not find in their segregated branch. (This book was reviewed digitally.)
A lushly illustrated homage to librarians who provide a welcome and a home away from home for all who enter. (Picture book. 4-7)Pub Date: Sept. 27, 2022
ISBN: 978-0-358-38765-7
Page Count: 32
Publisher: Versify/HarperCollins
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
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