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MAE WEST

IT AIN’T NO SIN

Enlightening, exhaustively comprehensive look at an entertainer who unapologetically shimmied sexuality into the mainstream.

Seasoned show-biz biographer Louvish (Man on the Flying Trapeze, 1997, etc.) digs deeper into the saucy bombshell’s hidden life.

Best known for her titillating movie roles and provocative off-screen persona, Mae West (1893–1980) was also a prolific writer who crafted her own image. With the Academy of Motion Picture Arts and Sciences’ blessing, Louvish got a first look at her recently opened personal archives. There, as he writes in the prologue, he uncovered some little-known aspects of the ageless sex goddess’s career. Before delving into those, however, his narrative traces Mary Jane West’s life from her relatively obscure beginnings, growing up in Brooklyn during the early 20th century, through starring roles in various vaudeville performances and burlesque shows to the scandal aroused by suggestive plays like Sex. Stage opportunities began to dissipate as West approached 30, so, encouraged (and spoiled) by her mother, she focused on literary aspirations. The author sidesteps a lot of hearsay to delve with aplomb into his subject’s successful side career. He reveals that, rather than slinking her way in and out of men’s beds as many of her critics would have the general public believe, West spent countless hours alone at home poring over manuscripts. She constantly revised and rewrote her 12 plays and three novels; she also amassed a stockpile of personally penned comedic quips, many still familiar today. Press clippings, lyrics and witty asides enliven Louvish’s pages and his research, while generous illustrations and vintage photographs provide visual proof of West’s brisk ascent to fame as “the highest-paid performer in the U.S.” during Hollywood’s golden era. The author’s knack for injecting new life and a distinctive perspective into well-worn biographical information gives his text a vitality that also characterized this performer, from her first baby steps on stage right up to the time of her death.

Enlightening, exhaustively comprehensive look at an entertainer who unapologetically shimmied sexuality into the mainstream.

Pub Date: Nov. 21, 2006

ISBN: 0-312-34878-9

Page Count: 512

Publisher: Dunne/St. Martin's

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Aug. 15, 2006

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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  • IndieBound Bestseller


  • National Book Award Winner


  • Pulitzer Prize Finalist

The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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