by Stephanie M. Krulik ‧ RELEASE DATE: Jan. 11, 2011
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Krulik relates the Holocaust story of lovers Gerd and Inge in a compelling, keenly accurate narrative voice.
In this powerful book, we follow Gerd from Germany, where he meets Inge, to the concentration camps where he is separated from her, then back to Berlin where they reunite and then, finally, to America. While the necessity of survival plays a role in the plot, an underlying current of suspense pulsates between Gerd and Inge’s relationship. Though separated, Inge manages to send Gerd letters and she is constantly on his mind. Readers will cheer with Gerd at the story’s conclusion when the pair finally marries after enduring so much pain and violence. Krulik’s pitch-perfect capturing of Gerd’s voice will propel readers to keep the pages turning—the novel opens “I am so tired of that swish-click sound I hear night after night, night after charcoal night, as I double lock our heavy front door”; besides the poetically beautiful assonance present, Krulik also skillfully reproduces the rhythms of speech. Furthermore, readers may be surprised to learn that the book is not a novel but a work of nonfiction based on tape-recorded conversations Krulik had with Gerd and Inge. Krulik masterfully translates these conversations into rich, vivid text. Her elegant descriptions will engage readers; she writes, “[W]e step lightly on the broken bricks, chipped rocks, piles of soot and dust that makes up this Berlin. The roar of machines pushing pieces of buildings into pieces makes us shudder. Still, we walk.” Not only does Krulik gracefully evoke the imagery of a city in rubble, but she captures the perseverance of these survivors who keep walking against all odds. A graceful meditation on the power of perseverance and triumph of human nature through the darkest times, this story will captivate and inspire readers.
Pub Date: Jan. 11, 2011
ISBN: 978-0984607136
Page Count: 129
Publisher: Middle River
Review Posted Online: Jan. 6, 2012
Kirkus Reviews Issue: Feb. 15, 2012
Review Program: Kirkus Indie
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by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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by Harper Lee ; edited by Casey Cep
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
by Kristin Hannah ‧ RELEASE DATE: July 1, 2002
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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