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ALEX THE PARROT

NO ORDINARY BIRD

Bird lovers will be charmed.

Irene Pepperberg's African gray parrot learned to speak and understand English so well he changed both public and scientific beliefs about animal communication and cognition.

Named Alex, for Avian Learning EXperiment, the parrot was randomly acquired from a pet shop for graduate student Pepperberg’s research. Spinner deftly summarizes the next 30 years of his training, gradual learning and public attention, ending with his untimely death in 2007. The author weaves in information about other talking animals: Clever Hans, the horse who read his trainer's unconscious cues, and the signing apes Washoe and Koko. She concludes with some outcomes of Pepperberg’s studies and her current research. But it is Alex's story, told with admiration and acceptance, that is the essence of this appealing title. Organized topically into short chapters, the chronology of his life remains clear. So's illustrations, done with colored ink and pencils, watercolors and gouache, show parrots in the wild and the pet store and, especially, Alex in action. Sometimes his words appear in colorful speech bubbles. These images, set directly on the white pages, above, below or alongside the text, filling an opposing page or bleeding across the fold, emphasize Alex’s personality but also add to readers’ understanding of the research work.

Bird lovers will be charmed. (author's note) (Informational picture book. 5-10)

Pub Date: Oct. 9, 2012

ISBN: 978-0-375-86846-7

Page Count: 48

Publisher: Knopf

Review Posted Online: Aug. 21, 2012

Kirkus Reviews Issue: Sept. 15, 2012

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THE AMAZING AGE OF JOHN ROY LYNCH

A picture book worth reading about a historical figure worth remembering.

An honestly told biography of an important politician whose name every American should know.

Published while the United States has its first African-American president, this story of John Roy Lynch, the first African-American speaker of the Mississippi House of Representatives, lays bare the long and arduous path black Americans have walked to obtain equality. The title’s first three words—“The Amazing Age”—emphasize how many more freedoms African-Americans had during Reconstruction than for decades afterward. Barton and Tate do not shy away from honest depictions of slavery, floggings, the Ku Klux Klan, Jim Crow laws, or the various means of intimidation that whites employed to prevent blacks from voting and living lives equal to those of whites. Like President Barack Obama, Lynch was of biracial descent; born to an enslaved mother and an Irish father, he did not know hard labor until his slave mistress asked him a question that he answered honestly. Freed by the Emancipation Proclamation, Lynch had a long and varied career that points to his resilience and perseverance. Tate’s bright watercolor illustrations often belie the harshness of what takes place within them; though this sometimes creates a visual conflict, it may also make the book more palatable for young readers unaware of the violence African-Americans have suffered than fully graphic images would. A historical note, timeline, author’s and illustrator’s notes, bibliography and map are appended.

A picture book worth reading about a historical figure worth remembering. (Picture book biography. 7-10)

Pub Date: April 1, 2015

ISBN: 978-0-8028-5379-0

Page Count: 50

Publisher: Eerdmans

Review Posted Online: Feb. 2, 2015

Kirkus Reviews Issue: Feb. 15, 2015

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THE WONKY DONKEY

Hee haw.

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The print version of a knee-slapping cumulative ditty.

In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.

Hee haw. (Picture book. 5-7)

Pub Date: May 1, 2010

ISBN: 978-0-545-26124-1

Page Count: 26

Publisher: Scholastic

Review Posted Online: Dec. 28, 2018

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