Spinner (Expiration Date: Never, 2001, etc.) hops aboard the mythological bandwagon, turning the tale of Atalanta into a teenager’s coming-of-age. Having been saved by Artemis after her father abandoned her as a newborn, Atalanta has dedicated herself to the goddess’s service by taking a vow of chastity—a vow which comes back to haunt her when her father demands that she marry, and present him with an heir forthwith. Having already seen the entire royal line of Calydon ruthlessly exterminated for failing to sacrifice to Artemis, Atalanta is in a bind—so she presents her father with what she hopes are impossible conditions: suitors must race her, and must die if—when—she wins. Atalanta reckons not on the gods, however, who show up in snatches of dialogue between chapters to comment (“Artemis: ‘ . . . the hunt is far from over.’ Apollo: ‘You frighten me sometimes.’ Artemis: ‘I’m your older sister. I probably should.’ ”), place wagers, and interfere. Nonetheless, despite Aphrodite’s help in the climactic race (golden apples, an arrow from Eros’s bow), handsome Hippomenes wins only because Atalanta lets him. Proud, strong, strong-minded, and naïve (though rather less so by the end), Atalanta cuts a figure at once heroic and human. Spinner sticks closely to classical sources, rounding out her rendition with a lesser-known episode in which the randy newlyweds fall afoul of Zeus, and are changed into lions. Brutal in spots, but lighter than the psychodramas Donna Jo Napoli and others are fond of crafting from the old tales. (afterword) (Fiction. 12-15)
Pub Date: Oct. 8, 2002
ISBN: 0-375-81489-2
Page Count: 176
Publisher: Knopf
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Sept. 1, 2002
A good story with some unexpected twists
After saving the life of a famous model, a 14-year-old Mexican-American boy learns the pressures of popularity and the definition of true heroism.
Dallas freshman Rawly Sánchez knows that life is not perfect. His older brother Jaime is in prison, while his mother’s Mexican restaurant is barely staying afloat. Now, he can’t even visit his brother on Saturdays anymore, or he will miss the required tutoring for the algebra class he is failing. Small bursts of happiness come in the comic books he loves and in hanging out with his nerdy, often-annoying, wisecracking Jewish best friend Nevin Steinberg. Things take a turn for the worse when someone accidentally sets a pig loose in his mom’s restaurant, and the incident makes the local news. Then, Nevin talks Rawly into performing as a duo at the school talent show, where he makes a fool of himself in front of his crush, Miyoko. Everything changes when Rawly misses his bus stop and ends up rescuing 22-year-old model Nikki Demetrius when her car plunges into a river. Instantly, Rawly is on the local and national news, hailed as a hero for saving Nikki’s life. The third-person narration follows Rawley’s journey as he learns who his real friends are and the difference between comic-book and real-world heroes.
A good story with some unexpected twists . (Fiction. 12-15)Pub Date: Oct. 31, 2011
ISBN: 978-1-55885-711-7
Page Count: 208
Publisher: Arte Público
Review Posted Online: Aug. 30, 2011
Kirkus Reviews Issue: Sept. 15, 2011
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A wry sequel to The Silent Treatment (1988): here, summer jobs put high-school seniors Ricky and Nate through a mystery from the past, as well as through some timeless rites of passage. Having to clean toilets and listen to gloomy, sex-obsessed Norman the Foreman seems like a fair exchange for a free stay at Quiver Lake resort, especially with all the college women around; Nate moves into hot (and eventually successful) pursuit of a Berkeley student, but Ricky is more inclined to watch from a distance. Meanwhile, what appear to be new but genuine artifacts of the long-integrated Miwok tribe begin to turn up, and Ricky almost loses his life in a primitive deer trap. Is there still a Miwok alive in the wild? Or, as someone suggests, is it the spirit of a young Miwok who never completed his manhood ritual and is unable to find the Aimah, an anthropomorphic rock formation? Carkeet's characters are portrayed sympathetically but broadly enough to keep the story light. The climax is big and dramatic: Ricky wakes one morning to find that the whole lake has suddenly drained away, exposing not only a field of slick mud but the Aimah, with piles of warm ashes at its crotch and armpits. There's no ghost to be seen, but readers can draw their own conclusions. (Fiction. 12-15)
Pub Date: Oct. 30, 1991
ISBN: 0-06-022453-3
Page Count: 256
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 1991
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