A mildly experimental narrative of a driver whose daughter is shot and killed on the interstate in an act of random violence. Eight interconnected narratives dramatize the lasting effects of such violence on the survivors. Dixon's paragraphs are pages long, and his tone is best described as modulated affectlessness. The reader is swept along, not with as much exuberance as in Stephen Wright's similar Going Native, but by a hypnotic intensity that replicates zoned-out road weariness and the numbness that sets in after tragedy. In the first section, the protagonist watches as one daughter, Julie, is killed while the other, Margo, survives. Obsessed, he hunts the murderers day and night, finally runs over two people who may or may not be the ones who gunned down Julie, spends years in prison, is released, does his best to befriend his surviving daughter, is shot and partially paralyzed in a holdup, and finally dies in his sleep. Subsequent narratives take small pieces of this story and expand them elaborately in the manner of Nicholson Baker. The second narrative is centered in the hospital, the third in the car. In the fourth, the man tells his daughters how to protect themselves from harm in the city; it stops before the terror begins. The fifth shows the father thinking back years later on what might have happened. The sixth, told in the second person (``How do you sit and answer questions from the police?''), stops at the point when he prepares to view the body. The last two narratives subvert the first six: In the seventh, there is no murder, but an accident in which Margo may also have been killed; in the eighth, nobody is hurt. Throughout, Dixon has avoided his usual glibness, which can be overbearing to the point of self- parody, in favor of more serious reflection. Dixon's 17th book (The Stories of Stephen Dixon, 1994, etc.) is a powerful meditation on contemporary violence and the ways we daydream about it. (Author tour)
Pub Date: May 1, 1995
ISBN: 0-8050-2654-1
Page Count: 320
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1995
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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