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POLITICALLY INSPIRED

AN ANTHOLOGY OF FICTION FOR OUR TIME

A superb collection, without a single dud. Grab it.

September 11, the War on Terror, the invasion of Iraq . . . . Why not explore our new reality through fiction, the truest gauge of the national psyche? That was Elliott’s bright idea. And the result? A deeply impressive collection of 26 previously unpublished stories.

Novelist Elliott (What It Means to Love You, 2002, etc.) has chosen a dynamite opener: “The President’s New Clothes,” by Anne Ursu. Using the familiar gimmick of the body-switch, Ursu has Dubya waking up in the body of a Minnesotan kid. What follows is sunny, upbeat and lethal, the perfect fable for an empty-suit presidency. Four stories focus on 9/11 and its immediate aftermath; not surprisingly, the surreal version (“Mr. Mxyzptlk’s Opus,” by Ben Greenman) is as effective as realistic treatments like the “End-of-the-World Sex,” by Tsaurah Litzhy, which highlights the correlation of sex and death. Two fine stories examine the effect of politics and terrorism on personal relationships. In Alicia Erian’s “The Winning Side,” husband and wife protest together the detention of immigrants, yet perversely their marriage drifts further onto the rocks, while in “Should I Be Scared?” by Amanda Eyre Ward, the anthrax scare opens up a rift in another marriage. Six authors take on the Persian Gulf wars. In “Freedom Oil,” Anthony Swofford has an oilman put together a showbiz sendoff for our boys at San Diego airport. Two marines fresh out of boot camp are sucked into a swirl of sex, liquor, and phony patriotism. The flip side is the story that cannot be told too often, seldom better done than here: the homecoming of the soldier who is still living with the horror (“The Designated Marksman,” Otis Haschemeyer). Two other gems must be mentioned: the wickedly on-target notes of sessions with public figures by a real-life dominatrix (“All in a Day’s Work,” by Mistress Morgana), and a small masterpiece of absurdist logic by the Palestinian Nasri Hajjaj, about a man who slaughters his family and is promptly honored by his nation’s leader (“I Believe I’m in Love With the Government”).

A superb collection, without a single dud. Grab it.

Pub Date: Oct. 8, 2003

ISBN: 1-931561-58-3

Page Count: 286

Publisher: MacAdam/Cage

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 2003

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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DISTANT SHORES

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).

Pub Date: July 1, 2002

ISBN: 0-345-45071-X

Page Count: 352

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

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