A smart and riotous glorification of everything that is fantastic about the cinema.
That other Pulitzer Prize–winning movie critic comes out shooting.
A quick look at the oeuvre of novelist Hunter (Havana, 2003, etc.) shows that he’s a writer with a yen for tales of dirtied honor, bloodied warriors and lots of guns (American Gunfight, also Nov. 2005). In addition to being a novelist, Hunter is a film critic for The Washington Post, and an uncommonly good one at that. This collection of Post film reviews takes its name from the old theaterback in Evanston, Ill., where as a child during the 1950s, Hunter took in double features of westerns, gangster flicks and monster movies. Winner of the 2003 Pulitzer for criticism, Hunter brings an incisive eye to under-regarded works and has a propensity for vanity-deflating quips. Like the only other film critic to win a Pulitzer, Roger Ebert, he is able to wax just as enthusiastic about Cold Mountain as he does about The Third Man and Face/Off. Along the way, he demolishes a few classics (he objects to Gone with the Wind’s “gooeyness, its spiritual ugliness, its solemn self-importance”), trashes many a lousy studio vehicle and still finds time to celebrate the loud, brash and popular.
A smart and riotous glorification of everything that is fantastic about the cinema.Pub Date: Nov. 1, 2005
ISBN: 0-7432-6125-9
Page Count: 352
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2005
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
