Evidence that cocaine has provided a lot of good writers with some very ugly experiences.
English editor Zanetti, who collected celebrations of the ultimate outlaw vehicle in She's a Bad Motorcycle (2002), teams up with his filmmaking partner Hyde to present essays about another accessory of the rebel lifestyle.
Two entries from Richard Rudgely’s Encyclopedia of Psychoactive Substances set up the reader with some basic facts: “the cultural story of coca,” a plant that has played a respected role in Andean culture for thousands of years, “was radically different from that of the crass glitzy beginnings and subsequently sordid short life of its extract cocaine.” First isolated in 1860, cocaine enjoyed a few decades of positive press. It was imbibed by Queen Victoria, carried by the first man to fly across the English Channel, and used in Coca-Cola. Sigmund Freud’s article “Über Coca” displays the generally favorable attitude typical of those years, relating the doctor's personal experiences and outlining cocaine's uses in treating disorders ranging from digestive problems to alcohol and morphine addiction. From there we move through some less enthusiastic texts, including Arthur Conan Doyle’s account of Sherlock Holmes craving the drug’s stimulation from “The Sign of the Four” and Aleister Crowley’s story of drug-fueled debauchery in Paris (“Au Pays de Cocaine”). Then the editors let the veil drop completely. William Burroughs gets creepy with “Coke Bugs,” Charles Nicholls recounts a drug deal gone decidedly wrong in “A Night with Captain Cocaine,” and in an excerpt from his autobiography, Miles Davis recalls being so paranoid when coked up that he regularly looked for people hiding under the radiator. Hollywood is also well represented, with desperate accounts by Julia Phillips and Carrie Fisher, among others; bad boys Brett Easton Ellis and Jay McInerney turn up as a matter of course; and Stephen King provides the single breath of air in the oppressive atmosphere with a three-page account of how he kicked his addiction.
Evidence that cocaine has provided a lot of good writers with some very ugly experiences.Pub Date: Oct. 1, 2002
ISBN: 1-56025-378-9
Page Count: 352
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2002
BOOK REVIEW
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
A tour-de-force of true crime reportage.
Godfrey reconstructs a horrific murder with a vividness found in the finest fiction, without ever sacrificing journalistic integrity.
The novel The Torn Skirt (2002) showed how well the author could capture the roiling inner life of a teenager. She brings that sensibility to bear in this account of the 1997 murder of a 14-year-old girl in British Columbia, a crime for which seven teenage girls and one boy were charged. While there’s no more over-tilled literary soil than that of the shocking murder in a small town, Godfrey manages to portray working-class View Royal in a fresh manner. The victim, Reena Virk, was a problematic kid. Rebelling against her Indian parents’ strict religiosity, she desperately mimicked the wannabe gangsta mannerisms of her female schoolmates, who repaid her idolization by ignoring her. The circumstances leading up to the murder seem completely trivial: a stolen address book, a crush on the wrong guy. But popular girls like Josephine and Kelly had created a vast, imaginary world (mostly stolen from mafia movies and hip-hop) in which they were wildly desired and feared. In this overheated milieu, reality was only a distant memory, and everything was allowed. The murder and cover-up are chilling. Godfrey parcels out details piecemeal in the words of the teens who took part or simply watched. None of them seemed to quite comprehend what was going on, why it happened or even—in a few cases—what the big deal was. The tone veers close to melodrama, but in this context it works, since the author is telling the story from the inside out, trying to approximate the relentlessly self-dramatizing world these kids inhabited. Given most readers’ preference for easily explained and neatly concluded crime narratives, Godfrey’s resolute refusal to impose false order on the chaos of a murder spawned by rumors and lies is commendable.
A tour-de-force of true crime reportage.Pub Date: Oct. 1, 2005
ISBN: 0-7432-1091-3
Page Count: 368
Publisher: Simon & Schuster
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: July 15, 2005
BOOK REVIEW
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BOOK TO SCREEN
BOOK TO SCREEN
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