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THE GREAT PLAGUE

A well-documented and well-illustrated account of the bubonic-plague epidemic that struck England in 1665—66, killing some 20 percent of London’s inhabitants. Before examining the Great Plague, disaster specialist Porter (The Great Fire of London, not reviewed, etc.) describes the impact of earlier epidemics that had repeatedly swept across Europe in the previous three centuries, affecting not just social and economic life but beliefs, literature, and art. In London, weekly Bills of Mortality reporting the number and cause of deaths had been issued since the early 1600s to provide warning of an impending outbreak and encourage measures to check its progress: quarantining incoming ships, isolating the sick, lighting fires in the streets, fumigating houses, and killing stray cats and dogs. Many of those with the means to do so fled to the countryside; the poor, however, stayed in the city, and it was they who suffered the most. Porter shows how individuals and families endured illness, enforced isolation, and loss of employment; how London and some provincial towns suffered a ruinous loss of trade; and how the government was severely hampered in its war efforts against the Dutch by the ensuing economic recession and reduced revenues. He also depicts how rapidly London recovered, with the population returning to its former size within two years after the epidemic. While Porter’s text does not emphasize individual human-interest stories, some of the 70 illustrations he has included—grim pest-houses where the sick were confined, and dead bodies lying on the street, being loaded onto a cart, or dumped into a mass grave—give a vivid sense of the personal tragedy and horror of the Great Plague. Porter’s close, clear look at one epidemic’s impact on its culture will be of obvious interest to a world still threatened by the capability of biological weapons to spread smallpox or anthrax to millions. (History Book Club selection)

Pub Date: Jan. 1, 2000

ISBN: 0-7509-1615-X

Page Count: 224

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 1999

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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