adapted by Steve Light & illustrated by Steve Light ‧ RELEASE DATE: March 1, 2001
This collage adaptation of the old tale is alive with texture. Hand-stamped patterned paper, weathered fabric, and various solid whites and off-whites are combined with scribbled pencil and swirling paint to create illustrations that are compelling and pleasantly busy. Dramatic changes of scale (showing both geographical distance and physical power) and the characters’ ever-changing positions and postures make every picture unique. Puss herself is cut from worn, striped fabric and sports an ornamented coat and huge black boots. Initially an inheritance that her master finds disappointing, Puss quickly becomes the main character. With prowess and ingenuity both feline and human, she cleverly brings her master from a state of poverty into a state of wealth, love, and joy. This version is gentler than many others: peasants are promised rewards (rather than threatened) when Puss needs their help in her scheme, and tiny smiles appear on almost every page. Even the ogre is fairly mild-mannered compared to many fairy-tale monsters. However, somewhere underneath the mildness is depth, made up of Puss’s intelligence and power and the complexity of the illustrations. The unusual variety of texture and pattern invites slow or repeated perusal, but the quickly moving plot will also support group readings. The simple text, sometimes subtly funny, is a perfect match for both story and pictures. This playful and rich adaptation, complete with a heroine who is male in most versions, is fresh and full of energy. (Picture book/fairy tale. 3-5)
Pub Date: March 1, 2001
ISBN: 0-8019-4368-9
Page Count: 24
Publisher: Abrams
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Feb. 1, 2002
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by Chloe Perkins ; illustrated by Sandra Equihua ‧ RELEASE DATE: Sept. 13, 2016
A nice but not requisite purchase.
A retelling of the classic fairy tale in board-book format and with a Mexican setting.
Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.
A nice but not requisite purchase. (Board book/fairy tale. 3-5)Pub Date: Sept. 13, 2016
ISBN: 978-1-4814-7915-8
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Oct. 11, 2016
Kirkus Reviews Issue: Jan. 1, 2017
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adapted by Hannah Eliot ; illustrated by Nivea Ortiz
by Chloe Perkins ; illustrated by Dinara Mirtalipova
by Chloe Perkins ; illustrated by Archana Sreenivasan
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by Kimiko Kajikawa & illustrated by Ed Young ‧ RELEASE DATE: Jan. 1, 2009
Through quick thinking and personal sacrifice, a wise old Japanese farmer saves the people of his village from a devastating tsunami in this simple yet striking story based on Lafcadio Hearn’s “A Living God.” Ojiisan lives in a cottage on a mountain overlooking the village and sea. One day, villagers gather to celebrate the rice harvest, but Ojiisan stays home thinking “something does not feel right.” When the earth quakes and the sea darkens and runs away from the land, Ojiisan realizes a tsunami approaches. Fearing the oblivious villagers will be swept away, Ojiisan torches his rice fields to attract attention, and they respond, barely escaping the monster wave. Rendered in gouache, pastel and collage, Young’s illustrations cleverly combine natural textures, bold colors and abstract shapes to convey compelling images of chaos and disaster as the rice fields burn and the wave rushes in. In one literally breathtaking double-page spread, an enormous wall of water engulfs the teeny seacoast village. A visually powerful and dramatic tribute to one man’s willingness to sacrifice everything for others. (Picture book. 3-5)
Pub Date: Jan. 1, 2009
ISBN: 978-0-399-25006-4
Page Count: 32
Publisher: Philomel
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2008
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