Yarbrough fulfills the novelist's chief task, by giving weight and import to human actions.
Yarbrough returns to Loring, Miss.
Loring, circa 1902, was the setting for the author’s Visible Spirits (2001); and 1943 for his Prisoners of War (2004). Now he chronicles the present-day residents of Loring, most notably Pete Barrington, former high-school football hero and a physician, who has returned with his wife and family to the town of his youth after sexual misconduct with a patient ended his California practice. Pete's physique and magnetism amount to a troubled destiny. As a teenager, he was seduced by Maggie Depoyster, the mother of a shy, devout schoolmate. As an adult, Pete ruefully reflects that “he felt as if . . . some force, like gravity, drew others toward him. Once they entered his orbit, their navigational systems went haywire.” Now, Maggie's son Alan, a deacon at his church and manager of a grocery store, still blames Pete for destroying his family, a resentment fed by Pete's popularity and superiority in sports. This grudge has lasting, tragic consequences for both families, particularly because Alan's son Mason, a kindly boy, is the first to approach Pete's daughter Toni at her new school, and the two have become friends. The dialogue here sometimes reflects the novelist's voice too obviously. It's hard to imagine anyone saying, as Pete does, “The rarity of the circus combined with the smallness of the town to make its presence here a thing of wonder.” But if a few phrases are overly purple, much rings true, particularly the lifelike, easy, but inexorable way events unfold. The momentum that builds, the increasing power the characters have to do each other good or ill, holds the reader spellbound. In the character of Alan, there is a particularly moving portrait of a person of faith, which makes the one shocking crime he commits all the more resonant.
Yarbrough fulfills the novelist's chief task, by giving weight and import to human actions.Pub Date: June 9, 2006
ISBN: 1-4000-4438-3
Page Count: 288
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2006
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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