In an era as politically mercurial as our own, even the most far-fetched events depicted here sound utterly plausible—except...
That title may be the biggest of this satiric thriller’s red herrings, since, as far as this book is concerned, there are no innocents in the political process.
A charismatic right-wing Republican populist with a hectoring anti-immigrant riff is running for president, and the only person who can slow his roll is a woman moderate with ties to the outgoing administration. No, this book is not about the 2016 presidential campaign. But the fact that even these aspects of the novel are in sync with current events validates its author’s credentials as a cagey veteran political operative. That description applies to crafty, cynical J.D. Callahan, who normally would find a million reasons to avoid going back home to New Orleans except that it happens to be the site of a wide-open GOP convention pitting his candidate, incumbent Vice President Hilda Smith, against Colorado Gov. Armstrong George, who’s running on a platform powered by anti-terror paranoia as exemplified by what J.D. characterizes as “the crazy train of his wacky New Bill of Rights.” Callahan’s efforts to match the Veep’s steely rationality against George’s xenophobic bluster are bumrushed by bombs scattered throughout Crescent City that panic the locals and scare some of the fence-sitting delegates into George’s rising column of support. As J.D. struggles to keep both his head and his client in the game, he’s also got to deal with vicious backbiting from within the Smith staff, somewhat irrational (and also improbable) suspicions from the FBI that J.D. himself is somehow responsible for the bombs, a sexy gossip columnist with informed knowledge of serious firearms, and a pair of estranged half siblings with dubious issues of their own, one a pardoned felon seeking his brother’s help for a run at state office, the other an ex–GI–turned–skinhead strip-club owner. These and other characterizations are as quirky as J.D.’s rueful, acerbic commentaries, which make up the best part of this fast-paced carnival of bile, guile, and blow-ups.
In an era as politically mercurial as our own, even the most far-fetched events depicted here sound utterly plausible—except for maybe one thing: moderate Republicans? Really? What are those?Pub Date: June 28, 2016
ISBN: 978-0-451-49319-4
Page Count: 272
Publisher: Knopf
Review Posted Online: March 29, 2016
Kirkus Reviews Issue: April 15, 2016
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Once again, Hilderbrand displays her gift for making us care most about her least likable characters.
Hilderbrand’s latest cautionary tale exposes the toxic—and hilarious—impact of gossip on even the most sophisticated of islands.
Eddie and Grace Pancik are known for their beautiful Nantucket home and grounds, financed with the profits from Eddie’s thriving real estate company (thriving before the crash of 2008, that is). Grace raises pedigreed hens and, with the help of hunky landscape architect Benton Coe, has achieved a lush paradise of fowl-friendly foliage. The Panciks’ teenage girls, Allegra and Hope, suffer invidious comparisons of their looks and sex appeal, although they're identical twins. The Panciks’ friends the Llewellyns (Madeline, a blocked novelist, and her airline-pilot husband, Trevor) invested $50,000, the lion’s share of Madeline’s last advance, in Eddie’s latest development. But Madeline, hard-pressed to come up with catalog copy, much less a new novel, is living in increasingly straightened circumstances, at least by Nantucket standards: she can only afford $2,000 per month on the apartment she rents in desperate hope that “a room of her own” will prime the creative pump. Construction on Eddie’s spec houses has stalled, thanks to the aforementioned crash. Grace, who has been nursing a crush on Benton for some time, gives in and a torrid affair ensues, which she ill-advisedly confides to Madeline after too many glasses of Screaming Eagle. With her agent and publisher dropping dire hints about clawing back her advance and Eddie “temporarily” unable to return the 50K, what’s a writer to do but to appropriate Grace’s adultery as fictional fodder? When Eddie is seen entering her apartment (to ask why she rented from a rival realtor), rumors spread about him and Madeline, and after the rival realtor sneaks a look at Madeline’s rough draft (which New York is hotly anticipating as “the Playboy Channel meets HGTV”), the island threatens to implode with prurient snark. No one is spared, not even Hilderbrand herself, “that other Nantucket novelist,” nor this magazine, “the notoriously cranky Kirkus.”
Once again, Hilderbrand displays her gift for making us care most about her least likable characters.Pub Date: June 16, 2015
ISBN: 978-0-316-33452-5
Page Count: 384
Publisher: Little, Brown
Review Posted Online: May 20, 2015
Kirkus Reviews Issue: June 1, 2015
PERSPECTIVES
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