The three Drew children and their uncle Merry, an Old One from outside of Time; young Will Stanton who learned of his identity as an Old One in The Dark Is Rising; Will's albino friend Bran, really King Arthur's son Pendragon brought forward to be reared in our time; Arthur himself, at the climax; a benign, disappointingly spiritless Taliesen; and all the forces of the Light and the Dark converge in Wales for the final cosmic battle in Cooper's ambitious, five-volume, resolutely High fantasy. First the children and Merry become Six assembled, later to wield the protective Six Signs which Will had gathered in the earlier volume; next Will and Bran must journey to a Lost Land where Bran's crystal sword must be acquired from a world-weary craftsman/King in his remote glass tower; and at last (this final task is announced to cast and reader alike only as the company is madly racing the Riders of the Dark to its location), the forces of Light, with the Six at the center, must pluck a sprig of mistletoe at the moment of its blossoming—for whichever side accomplishes the plucking will thereby command all the powers of the previously uncommitted Old and Wild Magic. To the end Cooper wields her cryptic prophecies, obscure instructions, and arbitrary contingencies, rules, and conditions with the authority of a sleight-of-hand master; and to the end the discrepancy between her grand scheme and the particulars of the story is unbridged, giving a morally and intellectually hollow ring to the whole. Even at the end, when the much-respected Lady wearily pronounces, "It is done. Our task is accomplished," the actual nature and consequences of that accomplishment remain meaninglessly abstract. And though there is welcome relief in Merry's final charge—the battle from here on is up to humans, who will get no more magic help—it does make the purportedly final and crucial battle that has gone before that much harder to credit.
Pub Date: Oct. 21, 1977
ISBN: 1416949682
Page Count: 294
Publisher: Atheneum
Review Posted Online: Oct. 27, 2011
Kirkus Reviews Issue: Oct. 1, 1977
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
A sweet, nuanced, and reflective coming-of-age love story filled with moments of true beauty between family and friends.
Bestseller Dessen returns with the story of a teen who enters an unexpected whirlwind of a summer adventure with family she barely knows.
After high school graduation, Finley Hope expected to spend her customary two awkward weeks with her distant mother, Cat, who left when she was 4, before heading off to begin the life she’s planned around her boyfriend, Colin. But Cat abruptly changes their New York City itinerary, instead taking Finley with her to help prepare her rural family home for sale. Within days, Colin breaks up with Finley over a video call. Reeling from heartbreak, Finley throws her phone into the lake, entering an unexpected period of offline clarity. She also suffers the shock of accidentally discovering that Cat has cancer. But, immersed in the rhythms of the small town, Finley befriends new people—including Ben, a shy, awkward, but adorable cook at her aunt’s diner—while uncovering pieces of her mother’s past and the judgment that led her to keep her distance. Dessen excels at identifying pivotal aspects of young adulthood, allowing them to unfurl with authenticity and robust characterization. With time and reflection, Finley, who’s cued white, recognizes how much of her life she’s surrendered to others’ expectations. Through this forced pause and sudden change in plans, she discovers strength, independence, and the transformative power of being fully present in a place she never intended to be.
A sweet, nuanced, and reflective coming-of-age love story filled with moments of true beauty between family and friends. (Fiction. 12-18)Pub Date: May 5, 2026
ISBN: 9798347108770
Page Count: 368
Publisher: Simon & Schuster
Review Posted Online: Dec. 12, 2025
Kirkus Reviews Issue: Jan. 15, 2026
PERSPECTIVES
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