A fast-paced, imaginative story ideal for young readers who understand the urge to make music.
A girl transports to an alternate musical universe to save her friend in Zeidler’s (The Practice Room, 2009) mystery for young teens.
Three years ago, Zoey Browne’s world changed for the better when she discovered she could transport to a magical world called Musicland. There, she cultivated a talent for keyboard playing and reunited with her amnesiac, rock-star father. Now 15 years old, Zoey is spending her summer on tour with her famous dad. Weary of the road, she meets her best friend in Oshkosh, Wis., for an annual air show. When her friend Nathan disappears in a puff of purple smoke during a flight demonstration, Zoey must use her power to rescue him. She quickly realizes the morbid connection between music and aviation when she’s transported back to “The Day The Music Died.” Legends Buddy Holly, Stevie Ray Vaughan and Glenn Miller all died while flying, and now a nasty villain is trying to send Nathan to the same fate. The premise is certainly original, if far-fetched, but young readers with an interest in music will relish the trivia and lessons embedded in this story. Zoey develops as a musician while grappling with typical teen issues—her relationship with her father, a crush on a cute older boy, self-awareness—but heavy plot points dominate the latter half of the book. At one point, Zoey, Nathan and other time-traveling characters land in a Nazi concentration camp with a group of jazz-loving German youths. There they witness and endure great horrors. Through it all, Zeidler portrays music as an idealistic beacon of hope, the solution to all of life’s mysteries. This philosophy is explicitly stated many times but would have been better conveyed if subtly expressed through plot development.
A fast-paced, imaginative story ideal for young readers who understand the urge to make music.Pub Date: May 30, 2012
ISBN: 9781600477324
Page Count: -
Publisher: Wasteland Press
Review Posted Online: March 20, 2012
Kirkus Reviews Issue: June 1, 2012
Review Program: Kirkus Indie
Above-average formula fiction, making full display of the author’s strong suits: sense of place, compassion for characters...
Female rivalry is again the main preoccupation of Hannah’s latest Pacific Northwest sob saga (Firefly Lane, 2008, etc.).
At Water’s Edge, the family seat overlooking Hood Canal, Vivi Ann, youngest and prettiest of the Grey sisters and a champion horsewoman, has persuaded embittered patriarch Henry to turn the tumbledown ranch into a Western-style equestrian arena. Eldest sister Winona, a respected lawyer in the nearby village of Oyster Shores, hires taciturn ranch hand Dallas Raintree, a half-Native American. Middle sister Aurora, stay-at-home mother of twins, languishes in a dull marriage. Winona, overweight since adolescence, envies Vivi, whose looks get her everything she wants, especially men. Indeed, Winona’s childhood crush Luke recently proposed to Vivi. Despite Aurora’s urging (her principal role is as sisterly referee), Winona won’t tell Vivi she loves Luke. Yearning for Dallas, Vivi stands up Luke to fall into bed with the enigmatic, tattooed cowboy. Winona snitches to Luke: engagement off. Vivi marries Dallas over Henry’s objections. The love-match triumphs, and Dallas, though scarred by child abuse, is an exemplary father to son Noah. One Christmas Eve, the town floozy is raped and murdered. An eyewitness and forensic evidence incriminate Dallas. Winona refuses to represent him, consigning him to the inept services of a public defender. After a guilty verdict, he’s sentenced to life without parole. A decade later, Winona has reached an uneasy truce with Vivi, who’s still pining for Dallas. Noah is a sullen teen, Aurora a brittle but resigned divorcée. Noah learns about the Seattle Innocence Project. Could modern DNA testing methods exonerate Dallas? Will Aunt Winona redeem herself by reopening the case? The outcome, while predictable, is achieved with more suspense and less sentimental histrionics than usual for Hannah.
Above-average formula fiction, making full display of the author’s strong suits: sense of place, compassion for characters and understanding of family dynamics.Pub Date: Feb. 9, 2009
ISBN: 978-0-312-36410-6
Page Count: 400
Publisher: St. Martin's
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Oct. 15, 2008
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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