A fast-paced, imaginative story ideal for young readers who understand the urge to make music.
A girl transports to an alternate musical universe to save her friend in Zeidler’s (The Practice Room, 2009) mystery for young teens.
Three years ago, Zoey Browne’s world changed for the better when she discovered she could transport to a magical world called Musicland. There, she cultivated a talent for keyboard playing and reunited with her amnesiac, rock-star father. Now 15 years old, Zoey is spending her summer on tour with her famous dad. Weary of the road, she meets her best friend in Oshkosh, Wis., for an annual air show. When her friend Nathan disappears in a puff of purple smoke during a flight demonstration, Zoey must use her power to rescue him. She quickly realizes the morbid connection between music and aviation when she’s transported back to “The Day The Music Died.” Legends Buddy Holly, Stevie Ray Vaughan and Glenn Miller all died while flying, and now a nasty villain is trying to send Nathan to the same fate. The premise is certainly original, if far-fetched, but young readers with an interest in music will relish the trivia and lessons embedded in this story. Zoey develops as a musician while grappling with typical teen issues—her relationship with her father, a crush on a cute older boy, self-awareness—but heavy plot points dominate the latter half of the book. At one point, Zoey, Nathan and other time-traveling characters land in a Nazi concentration camp with a group of jazz-loving German youths. There they witness and endure great horrors. Through it all, Zeidler portrays music as an idealistic beacon of hope, the solution to all of life’s mysteries. This philosophy is explicitly stated many times but would have been better conveyed if subtly expressed through plot development.
A fast-paced, imaginative story ideal for young readers who understand the urge to make music.Pub Date: May 30, 2012
ISBN: 9781600477324
Page Count: -
Publisher: Wasteland Press
Review Posted Online: March 20, 2012
Kirkus Reviews Issue: June 1, 2012
Review Program: Kirkus Indie
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
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