An adorable, beautifully designed book that will make children and adults giggle.
The antics of a series of fluffy panda cubs provide the perfect opportunity to learn opposites.
On each double-page spread of this book, mischievous, fuzzy panda cubs demonstrate a different set of opposites. Each page is designed simply, featuring photographs of pandas shot in their natural habitats paired with simple, bold words set in capital letters. Nature photographer Eszterhas (Baby Animals Playing, 2017) has curated a set of images that are both perfectly illustrative and delightfully tongue-in-cheek, rendering this book both educationally sound and a pleasure to read. The pictures alternate between filling the page and having a black or white border, depending on the concept being presented, and the changing designs break up what could otherwise feel like a monotonous repetition of similar images. The simple color scheme and clean design make it visually appealing to very young children, and the clear, capital letters make it an ideal text for children who are learning how to read. While the majority of the photographs are easy to interpret, a few—including the panda demonstrating “full” and the pandas demonstrating “asleep” and “awake”—are not as intuitive and may require a caregiver to provide an explanation. Luckily, the photographs will appeal to all ages, making it easy to read the book over and over again, no matter how old—or young—readers may be.
An adorable, beautifully designed book that will make children and adults giggle. (Board book. 1-4)Pub Date: Aug. 13, 2019
ISBN: 978-1-77147-330-9
Page Count: 24
Publisher: Owlkids Books
Review Posted Online: June 9, 2019
Kirkus Reviews Issue: July 15, 2019
A fun, utilitarian vocabulary builder that begs to be picked up and touched.
In the tradition of Pat the Bunny, this effort offers plenty of opportunity for tactile exploration.
Though it lacks the inventiveness, charm, and nontactile sensory provocations that make Pat the Bunny an enduring classic, this gives little hands plenty to grab, feel, touch, and experience. There are no “Paul and Judy” on hand to emulate, but the die-cut, fuzzy handprint in the middle of the thick, cardboard cover makes the book’s intent and methodology clear to its audience. So does the admonition, “Let’s Get Hands-on!” accompanying a photo of a little White child with fingers and palms covered in different colors of paint. The next page lists 10 different textures along with photographs of items that act as examples of each. Featured sensations are “fluffy, crinkly, smooth, bumpy, sticky, spongy, furry, rough, scratchy, [and] soft.” Each texture gets a two-page spread featuring several different items or creatures that feel that way and one large example with a die-cut hole and an embedded tactile element of the corresponding texture. The book features plenty of vocabulary, including three synonyms for each type of texture. There’s a descriptive sentence: “Fluffy things feel light and airy,” for example. Questions add an interactive element, inviting children to explore for themselves: “If you run your finger along something crinkly, what kind of noise does it make?”
A fun, utilitarian vocabulary builder that begs to be picked up and touched. (Board book. 1-4)Pub Date: March 23, 2021
ISBN: 978-1-68010-656-5
Page Count: 22
Publisher: Tiger Tales
Review Posted Online: June 1, 2021
Kirkus Reviews Issue: June 15, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A cheery board book to reinforce the oneness of babykind.
Ten babies in 10 countries greet friends in almost 10 languages.
Countries of origin are subtly identified. For example, on the first spread, NYC is emblazoned on a blond, white baby’s hat as well as a brown baby’s scoot-car taxi. On the next spread, “Mexico City” is written on a light brown toddler’s bike. A flag in each illustration provides another hint. However, the languages are not named, so on first reading, the fine but important differences between Spanish and Portuguese are easily missed. This is also a problem on pages showing transliterated Arabic from Cairo and Afrikaans from Cape Town. Similarly, Chinese and Japanese are transliterated, without use of traditional hànzì or kanji characters. British English is treated as a separate language, though it is, after all, still English. French (spoken by 67 million people) is included, but German, Russian, and Hindi (spoken by 101 million, 145 million, and 370 million respectively) are not. English translations are included in a slightly smaller font. This world survey comes full circle, ending in San Francisco with a beige baby sleeping in an equally beige parent’s arms. The message of diversity is reinforced by images of three babies—one light brown, one medium brown, one white—in windows on the final spread.
A cheery board book to reinforce the oneness of babykind. (Board book. 2-4)Pub Date: April 4, 2017
ISBN: 978-1-938093-87-6
Page Count: 20
Publisher: Duo Press
Review Posted Online: April 25, 2017
Kirkus Reviews Issue: July 1, 2017
BOOK REVIEW
BOOK REVIEW
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