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THE LEPRECHAUN UNDER THE BED

At the satisfying conclusion of this original tale, the robbers run away leaving Sean and Brian, now friends for life, in...

Mischief ensues when Sean, a human, accidentally builds his cottage over the home of Brian, a leprechaun.

Brian awakens Sean nightly with his cobbling. Before the man can find him, Brian lulls him back to sleep saying, “Now don’t you be fretting your wee little head. It’s only a cat under the bed.” Good-natured Sean is not fooled, for “[h]is mother had always said that a leprechaun in the house was a fine piece of luck,” and he begins leaving food for Brian. The use of dialect lends flavor to the tale while the gentle cadence makes clear that the prank, while a test, is not malicious. Acrylic and watercolor illustrations in primary colors have the innocent feeling of children’s drawings and depict the growing alliance between the two. When hard times hit, Brian gives Sean first one, then another gold coin to buy food. Tongues wag about Sean’s rumored wealth, and, in an up-tick to the pace, robbers threaten Sean in his home. When they hear a noise, Sean tells them, “It’s only the cat under the bed.” With a bit of leprechaun magic, Brian has become a wildcat—and the image practically leaps off the page!

At the satisfying conclusion of this original tale, the robbers run away leaving Sean and Brian, now friends for life, in peace. ’Tis a grand thing. (Picture book. 4-8)

Pub Date: March 17, 2012

ISBN: 978-0-8234-2221-0

Page Count: 32

Publisher: Holiday House

Review Posted Online: Jan. 17, 2012

Kirkus Reviews Issue: Feb. 1, 2012

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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CLAYMATES

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...

Reinvention is the name of the game for two blobs of clay.

A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)

Pub Date: June 20, 2017

ISBN: 978-0-316-30311-8

Page Count: 40

Publisher: Little, Brown

Review Posted Online: March 28, 2017

Kirkus Reviews Issue: April 15, 2017

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