by The New York Times edited by Alexander Star ‧ RELEASE DATE: Jan. 31, 2011
An important book that gives coherence to a massive data dump.
Thoughtful analysis of one of the largest leaks of classified information in history—how it happened, what the secret documents say and what it all means.
In its first e-book, the New York Times brings welcome order to the chaos of the hundreds of thousands U.S. government documents released last year by the elusive and volatile hacker Julian Assange, founder of the WikiLeaks whistle-blowers’ website. In addition to the newspaper’s own extensive news and op-ed coverage, including the texts of military and diplomatic documents published on the Times website, the book has an extended insider’s essay on the entire episode by Times executive editor Bill Keller, as well as profiles of both Assange and Army Private Bradley Manning, his suspected source. Keller details his six-month experience working with the “secretive cadre of anti-secrecy vigilantes” known as WikiLeaks, whose release of the candid documents about world leaders and events embarrassed the U.S. government. A Times team created a searchable database of the material: 500,000 military dispatches on the wars in Afghanistan and Iraq and 250,000 confidential cables between the State Department and 270 U.S. embassies and consulates. Keller says the newspaper acted responsibly in publishing the documents, redacting information that might endanger lives. The book includes contrasting views as well as reflections on the episode’s implications for the future of secrecy and diplomacy in the digital age. Both Assange and Manning emerge as bright, attention-seeking outsiders from unstable backgrounds. Assange, envisioning WikiLeaks as a new “scientific journalism” allowing people to judge facts for themselves, became increasingly erratic as his notoriety grew. Manning landed in a brig, where he awaits trial. One-third of the book consists of solid, old-fashioned journalism, offering the context and background needed to understand the documents. With links to cables and images, a helpful glossary and an appendix of significant photographs, the text takes full advantage of the capabilities of the e-book format.
An important book that gives coherence to a massive data dump.Pub Date: Jan. 31, 2011
ISBN: 9780615439570
Page Count: -
Publisher: The New York Times
Review Posted Online: April 4, 2011
Kirkus Reviews Issue: Feb. 15, 2011
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by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
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