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MEMORIES FOR THE FUTURE

A HISTORY OF PALM BEACH'S ROYAL POINCIANA PLAYHOUSE

An impressive compendium that could nevertheless be formed into a more compelling story.

As a theater for the performing arts faces destruction at the hands of a commercial developer, friends of the theater join forces to preserve it for future generations in this work of historical nonfiction.

For theater buffs and fans of Palm Beach, Fla., this book is a veritable treasure trove of information. Tracing the history of the Royal Poinciana Playhouse from the late 1800s to the present, Clarie’s research covers every detail from the original development of the land by railroad baron and famed hotelier Henry Flagler to the theater’s current state of limbo as competing forces vie for control over what is arguably the most desirable piece of land in all of Palm Beach. Some of what Clarie (A Lighthouse for Alexandria, 2009) reveals is fascinating. For history enthusiasts not familiar with Palm Beach’s rise from a tropical backwater to its present status as one of the most affluent communities in the United States, this book provides a thumbnail sketch of the men and women who turned their vision for the area into a reality. Showman and entrepreneur Frank Hale seems a character type endemic to America—a humble immigrant who parlayed a flair for song and dance into a cultural empire that catered to the rich and famous. Beautiful socialites, pampered actors, presidents and movie stars roam every page and Clarie never fails to drop a name if the opportunity presents itself. It is, after all, part of the theater’s lasting allure that luminaries from Edie Adams to James Whitmore to Christopher Plummer (who wrote the book’s preface) have graced the Poinciana’s stage. But therein also lies the downside to what could have been an entertaining frolic among the stars; Clarie doesn’t so much tell the story of the Poinciana as create a series of lists that include the dates and names of anyone who has ever been associated with the theater. The result is a book that could have been engaging but is instead disappointingly dull, despite a bevy of photos and artwork. This is regrettable, given the book’s clear design to inspire support in favor of saving the Poinciana.

An impressive compendium that could nevertheless be formed into a more compelling story.

Pub Date: April 15, 2010

ISBN: 978-1934582244

Page Count: 427

Publisher: Back Channel

Review Posted Online: June 2, 2011

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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