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DEAD WRONG

AND OTHER EPISODES FROM A LIFE IN MEDICINE

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Gory surgeries, grisly autopsies, baffling ailments and the JFK assassination enliven these entertaining if sometimes icky medical memoirs.

McConnell is a professor of pathology who admits he dislikes doing autopsies, and as we read his slice-by-slice replays—“When I cut into her abdomen and an odious rush of feces spilled from the incision”—we can’t really blame him. His 50-year career landed him in plenty of scrapes outside of the morgue as well. A stint as an Army doc found him jumping out of airplanes, performing a circumcision on an uncooperative paratrooper and standing vigil over the casket of President Kennedy. (An assassination buff ever since, he offers tart commentary on the competence of the military pathologists who autopsied Kennedy and floats an intriguing alternative to the “magic bullet” theory.) There are vacations filled with impromptu consultations; on one Grand Canyon rafting expedition, he treats heat stroke, panic attacks and a bite to the butt by a rattlesnake. In a noir-ish vignette, he testifies in an abortion prosecution before a vaguely corrupt Mississippi courtroom. And there are many scenes of McConnell performing a doctor’s most basic task—struggling to figure out what’s ailing a patient, sometimes in the reflective quiet of the pathology lab, sometimes in the chaos of the emergency room. The author fills the book with absorbing medical procedural that presents medicine as an intellectual puzzle with its share of triumphant deduction and humiliating cluelessness. (One case, resolved only after umpteen lab tests and a home visit that reveals a tell-tale enema bottle, is a diagnostic mystery worthy of a House episode.) This is mainly a collection of vivid shaggy-dog stories, but there’s also an emotional resonance to McConnell’s reminiscences; as he wrestles with his patients’ suffering, he reveals that the physician’s anguish is also inherent in the art of healing. Engrossing in every sense.

 

Pub Date: July 28, 2011

ISBN: 978-1453845707

Page Count: 199

Publisher: CreateSpace

Review Posted Online: Sept. 12, 2011

Kirkus Reviews Issue: Oct. 1, 2011

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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