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THE RETURN OF THE WOLF TO YELLOWSTONE

A thoughtful account of the timber wolf's return to the Northern Rockies. ``It has been sixty years, thirty wolf generations, since the last wolf pups were poisoned in the Yellowstone,'' writes McNamee (A Story of Deep Delight, 1990). Led by an activist group called the Greater Yellowstone Coalition, of which McNamee is a past president, biologists successfully pressed to undo the destruction of this predator, which had played an essential role in the health of the Yellowstone ecosystem. That effort, he writes, involved a huge campaign to raise public awareness and to enlist the support of private individuals, and it worked. Interior Department hearings on reintroduction produced some 160,000 letters from across the country, ``the biggest official citizen response to any federal action ever.'' Not all those responses were favorable, and much of McNamee's account is given to studying the divisive politics of reintroduction, in which environmentalists squared off against so-called Wise Use movement activists in court and on the streets. Those political debates heated up when fewer than a dozen wolves were finally released in Yellowstone National Park two years ago; not long afterward, one of them was shot down by a pair of local yahoos, one of whom served six months in jail for the crime. The surviving wolves have established themselves in their former habitat and appear to be thriving, although thanks to political pressure from opponents, federal support for the reintroduction program has shriveled. McNamee peppers his episodic narrative with asides about his travels in central Italy, where a similar reintroduction program is taking place, and looks at other efforts elsewhere in the US. A good one-volume reference for fans of Canis lupus, although the story has been widely reported elsewhere, such as in Rick McIntyre's War Against the Wolf.

Pub Date: May 1, 1997

ISBN: 0-8050-3101-4

Page Count: 352

Publisher: Henry Holt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 1997

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SILENT SPRING

The book is not entirely negative; final chapters indicate roads of reversal, before it is too late!

It should come as no surprise that the gifted author of The Sea Around Usand its successors can take another branch of science—that phase of biology indicated by the term ecology—and bring it so sharply into focus that any intelligent layman can understand what she is talking about.

Understand, yes, and shudder, for she has drawn a living portrait of what is happening to this balance nature has decreed in the science of life—and what man is doing (and has done) to destroy it and create a science of death. Death to our birds, to fish, to wild creatures of the woods—and, to a degree as yet undetermined, to man himself. World War II hastened the program by releasing lethal chemicals for destruction of insects that threatened man’s health and comfort, vegetation that needed quick disposal. The war against insects had been under way before, but the methods were relatively harmless to other than the insects under attack; the products non-chemical, sometimes even introduction of other insects, enemies of the ones under attack. But with chemicals—increasingly stronger, more potent, more varied, more dangerous—new chain reactions have set in. And ironically, the insects are winning the war, setting up immunities, and re-emerging, their natural enemies destroyed. The peril does not stop here. Waters, even to the underground water tables, are contaminated; soils are poisoned. The birds consume the poisons in their insect and earthworm diet; the cattle, in their fodder; the fish, in the waters and the food those waters provide. And humans? They drink the milk, eat the vegetables, the fish, the poultry. There is enough evidence to point to the far-reaching effects; but this is only the beginning,—in cancer, in liver disorders, in radiation perils…This is the horrifying story. It needed to be told—and by a scientist with a rare gift of communication and an overwhelming sense of responsibility. Already the articles taken from the book for publication in The New Yorkerare being widely discussed. Book-of-the-Month distribution in October will spread the message yet more widely.

The book is not entirely negative; final chapters indicate roads of reversal, before it is too late!  

Pub Date: Sept. 27, 1962

ISBN: 061825305X

Page Count: 378

Publisher: Houghton Mifflin

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: July 1, 1962

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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