Nail-biting fun amid near-future pseudo-science.
Planet Earth is fried and fricasseed in this wildly suspenseful post-apocalyptic action yarn only partially set deep beneath the ocean waves.
Compared to the sun-scarred humans still clinging to life topside, young biologist Jesse Baines is living well. Pacifica—the secret undersea lab nestled off the coast of San Diego where he and a community of other scientists have taken refuge after society’s collapse—is a self-sufficient oasis far from the reach of marauding cannibals. Still, Jesse can’t shake the feeling of being imprisoned in this pineapple under the sea, so he longs for a chance to ditch his cushy confines. When an unexpected disaster threatens Pacifica, he leaps at the chance to take part in a risky reconnaissance mission to recover some necessary items stored back on land. What unfolds next is all part of an ambitious plot that evokes elements of The Road and BioShock, the epic video game. Pryce’s muscular prose is relentlessly descriptive and often times even poetic in its blood and guts portrayal of a world seared into insanity. A keen sense of apprehension and anxiety consistently stokes the engines of suspense in an inexorable march toward ultimate calamity. Things only start to lag once the door is thrown open and the boogieman let out. Although artfully rendered, the main villain here is either a clichéd madman (right down to his evil genius grin), or (more generously) a loving homage to every Hollywood bad guy who’s ever plotted to take over the world. The story’s deep, dark, terrible secret, meanwhile, is a conspiracy theorist’s fantasy whirling with fears of overpopulation, global warning, genetic engineering and cloning. Some of the plot points seem a bit forced in order to facilitate the high adrenaline set pieces, while at least two other story threads are left virtually high and dry. But vividly rendered characters worth rooting for and supremely orchestrated action combine to compensate for any listing that might occur, which helps keep this semi-aquatic adventure on course to a thrilling conclusion.
Nail-biting fun amid near-future pseudo-science.Pub Date: Jan. 24, 2012
ISBN: 978-0984669103
Page Count: 386
Publisher: Cenozoic
Review Posted Online: Feb. 29, 2012
Review Program: Kirkus Indie
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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