At once sobering and entertaining, a eulogy for a GOP run amok.
A former GOP operative explores possible reasons why so many of his peers fell for Trumpism.
“Why in the fuck did the vast, vast, vast majority of seemingly normal, decent people whom I worked with go along with the most abnormal, indecent of men? And why hadn’t I seen it coming?” So wonders Miller, a communications whiz who locates the demise of the reasonable Republican Party of old in several key events of the last two decades. One was John McCain’s acceding to cynicism in adding Sarah Palin to the ticket—but more, when he pandered to the tea party mob with demands to end immigration from Mexico with his “complete the danged fence” rhetoric, “a nakedly halfhearted version of the Build. The. Wall. chant that was to come.” Numerous other stomach-churning turning points figure in the triumph of Trumpism, aided and abetted by an array of actors: the “LOL Nothing Matters Republicans” who “had decided that if someone like Trump could win, then everything that everyone does in politics is meaningless”; the “Tribalist Trolls” who demanded that nationalist ideas take center stage; and the “Inert Team Players” who couldn’t imagine doing anything apart from being loyal Republicans, so much so that “the idea of being anything besides that is inconceivable.” There were also countless self-serving, self-dealing players who attached themselves to Trump in the hope of taking a share of the big grift. While delivering a carefully argued account of how things went awry, Miller is unsparing in his descriptions of latter-day GOP figures such as Elise Stefanik, who “made a conscious choice to go all-in with her own personal Voldemort because she came to recognize that her popularity, fundraising, and ability to rise within the party would benefit”; and Corey Lewandowski, “a shriveled skin-flute-looking man with no appreciable skills outside of recognizing the popularity of unrestrained Trumpism.”
At once sobering and entertaining, a eulogy for a GOP run amok.Pub Date: June 28, 2022
ISBN: 978-0-06-316147-4
Page Count: 272
Publisher: Harper/HarperCollins
Review Posted Online: May 9, 2022
Kirkus Reviews Issue: June 1, 2022
A fierce, penetrating, and empowering call for change.
Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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