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SILENT CRUISE

A NOVELLA AND STORIES

Watch out: the invader from the north is just run-of-the-mill enough to be a smash.

A debut collection of Canadian fiction and an early novella from the northland’s chirpy hybrid of Bret Easton Ellis and Ethan Canin.

Novelist Taylor (Stanley Park, 2002) has won the Journey Prize, O. Henry awards, and Best Canadian Short Story awards. Here, the standouts are “Doves of Townsend,” about a woman who inherits a junkshop and discovers the unlikely truth about both being and buying an Object of Desire, and “Silent Cruise,” about a cockamamie scheme to recruit an idiot savant from the racetrack to the Vancouver stock exchange—with predictable results. But the bulk of the volume is the novella, “Newstart 2.0,” where we follow a high-school art student named Shane as he meets Dennis Kopak, one of those zany kids who wears a word that means “horseradish” on his clothes and talks mysteriously into a telephone that isn’t plugged in but somehow rings. Years later, after Shane tells us how he’s transcended nerd status to lay lots of international girls, we launch into the world of Phrate magazine, where Shane covers the art beat and blesses us with ideas like “What’s an original idea? Does it merely lack resemblance to any idea that has come before?” After all kinds of inconsequential travel writing and details about the Internet, Shane hits on a hot story about an artist who unsuccessfully tried to burn his life’s work and who is now represented by a guy with an agency named for horseradish. Kopak reappears but doesn’t recognize Shane, which is good for plot but bad for believability. Etcetera. Taylor’s stories in general are set in worlds that we’re led (by TV) to believe are possible, but aren’t. Taylor’s is a variety of hyperrealism, delivered with smartboy smarminess and decorated with product placement that will convince future archaeologists we lacked all aesthetic sophistication.

Watch out: the invader from the north is just run-of-the-mill enough to be a smash.

Pub Date: Nov. 1, 2002

ISBN: 1-58243-216-3

Page Count: 320

Publisher: Counterpoint

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 2002

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SIGHTSEEING

STORIES

A newcomer to watch: fresh, funny, and tough.

Seven stories, including a couple of prizewinners, from an exuberantly talented young Thai-American writer.

In the poignant title story, a young man accompanies his mother to Kok Lukmak, the last in the chain of Andaman Islands—where the two can behave like “farangs,” or foreigners, for once. It’s his last summer before college, her last before losing her eyesight. As he adjusts to his unsentimental mother’s acceptance of her fate, they make tentative steps toward the future. “Farangs,” included in Best New American Voices 2005 (p. 711), is about a flirtation between a Thai teenager who keeps a pet pig named Clint Eastwood and an American girl who wanders around in a bikini. His mother, who runs a motel after having been deserted by the boy’s American father, warns him about “bonking” one of the guests. “Draft Day” concerns a relieved but guilty young man whose father has bribed him out of the draft, and in “Don’t Let Me Die in This Place,” a bitter grandfather has moved from the States to Bangkok to live with his son, his Thai daughter-in-law, and two grandchildren. The grandfather’s grudging adjustment to the move and to his loss of autonomy (from a stroke) is accelerated by a visit to a carnival, where he urges the whole family into a game of bumper cars. The longest story, “Cockfighter,” is an astonishing coming-of-ager about feisty Ladda, 15, who watches as her father, once the best cockfighter in town, loses his status, money, and dignity to Little Jui, 16, a meth addict whose father is the local crime boss. Even Ladda is in danger, as Little Jui’s bodyguards try to abduct her. Her mother tells Ladda a family secret about her father’s failure of courage in fighting Big Jui to save his own sister’s honor. By the time Little Jui has had her father beaten and his ear cut off, Ladda has begun to realize how she must fend for herself.

A newcomer to watch: fresh, funny, and tough.

Pub Date: Jan. 1, 2005

ISBN: 0-8021-1788-0

Page Count: 224

Publisher: Grove

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 2004

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A PERMANENT MEMBER OF THE FAMILY

Old-fashioned short fiction: honest, probing and moving.

One of America’s great novelists (Lost Memory of Skin, 2011, etc.) also writes excellent stories, as his sixth collection reminds readers.

Don’t expect atmospheric mood poems or avant-garde stylistic games in these dozen tales. Banks is a traditionalist, interested in narrative and character development; his simple, flexible prose doesn’t call attention to itself as it serves those aims. The intricate, not necessarily permanent bonds of family are a central concern. The bleak, stoic “Former Marine” depicts an aging father driven to extremes because he’s too proud to admit to his adult sons that he can no longer take care of himself. In the heartbreaking title story, the death of a beloved dog signals the final rupture in a family already rent by divorce. Fraught marriages in all their variety are unsparingly scrutinized in “Christmas Party,” Big Dog” and “The Outer Banks." But as the collection moves along, interactions with strangers begin to occupy center stage. The protagonist of “The Invisible Parrot” transcends the anxieties of his hard-pressed life through an impromptu act of generosity to a junkie. A man waiting in an airport bar is the uneasy recipient of confidences about “Searching for Veronica” from a woman whose truthfulness and motives he begins to suspect, until he flees since “the only safe response is to quarantine yourself.” Lurking menace that erupts into violence features in many Banks novels, and here, it provides jarring climaxes to two otherwise solid stories, “Blue” and “The Green Door.” Yet Banks quietly conveys compassion for even the darkest of his characters. Many of them (like their author) are older, at a point in life where options narrow and the future is uncomfortably close at hand—which is why widowed Isabel’s fearless shucking of her confining past is so exhilarating in “SnowBirds,” albeit counterbalanced by her friend Jane’s bleak acceptance of her own limited prospects.

Old-fashioned short fiction: honest, probing and moving.

Pub Date: Nov. 12, 2013

ISBN: 978-0-06-185765-2

Page Count: 304

Publisher: Ecco/HarperCollins

Review Posted Online: Aug. 31, 2013

Kirkus Reviews Issue: Sept. 15, 2013

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