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SACRIFICE

Culture-critic Gitlin takes another stab at fiction (The Murder of Albert Einstein, 1992), surpassing his earlier effort with the story of a long-strained father-son relationship, fathomed only after the father’s suicide. Seventy-six-year-old Chester Garland, a respected psychiatrist, set the process of understanding in motion one August day, when he abruptly dropped in front of a subway train at Grand Central Station. His son Paul, respected for his work as a pornographic cartoonist (in the spirit of R. Crumb), is duly summoned to the office of Chester’s lawyer and handed his father’s journals, which date from the time years ago when Chester went to Paris to give a paper at a psychoanalytic congress, then failed to come home as promised. As Paul turns the pages, he learns of a man frustrated in his career and his personal life, a man who impulsively decided to make a quick trip to Chartres to see the cathedral—but got on the wrong train. A woman he meets on the train, a Czech refugee with a small boy of her own, implicitly offers him an intangible something that he can’t explain (but knows he needs), and they quickly begin an idyllic affair in her town on the coast of Brittany. The liaison lasts for months, dissolving his marriage, ruining his relationship with Paul, and earning the disapproval of his friends. Only a catastrophe can bring Chester back to a semblance of his former life. It’s the long shadow of that event that finally leads him to his lonely perch on the subway platform. Paul’s part in this fractured tale is often heavy-going, but Chester’s journals and the world they evoke provide a fine portrait of a tortured soul who, wholly by accident and only for a moment, found paradise.

Pub Date: April 8, 1999

ISBN: 0-8050-6032-4

Page Count: 256

Publisher: Henry Holt

Review Posted Online: April 30, 2011

Kirkus Reviews Issue: Feb. 1, 1999

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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