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HELL AT THE BREECH

Historical fiction as smooth and relentless as the darkest Elmore Leonard. First-rate.

Nightriders seize control of a dark corner of Alabama in a history-based first novel.

Clean, unpretentious language laid down in masterly fashion propels Franklin’s (stories: Poachers, 1999) reconstruction of impoverished tenant farmers taking the law, or lack thereof, into their own hands at the end of the 19th century. Their territory is Mitcham Beat, a forlorn section of Clarke county that Sheriff Billy Waite would be just as happy to leave to its own dark management or turn over to his successor in a couple of years when he retires. The few middle-class families that own the cotton farms in Mitcham Beat treat their tenant farmers as ruthlessly as the worst slaveholders in the not-so-remote Old South ever did, and the badly squeezed farmers haven’t a hope of escape from their lives. But Sheriff Waite can no longer ignore the situation in this territory laying the other side of a dense, snake-ridden forest from the more civilized part of the county. Desperate farmers have allied themselves with plain old criminals to form the Hell-at-the-Breech gang, an alliance that will run the few remaining black families out of the area, murder the farmers who openly oppose the gang, and render the overlords impotent. Watching the worst of the action from the front row is 16-year-old Mack Burke, an orphan raised with his older brother William by Widow Gates, the county midwife. Mack and William accidentally set the gang on its murderous path when their bungled midnight holdup of one of the few decent souls in Mitcham Beat led to his death and thence to Mack’s unpaid indenture to Tooch Bedsole, the gang’s mastermind. Goaded by his self-righteous cousin Oscar, the county judge, Sheriff Waite rides reluctantly through the forest to sort things out.

Historical fiction as smooth and relentless as the darkest Elmore Leonard. First-rate.

Pub Date: May 27, 2003

ISBN: 0-688-16741-1

Page Count: 320

Publisher: Morrow/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 2003

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WE WERE THE LUCKY ONES

Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.

Hunter’s debut novel tracks the experiences of her family members during the Holocaust.

Sol and Nechuma Kurc, wealthy, cultured Jews in Radom, Poland, are successful shop owners; they and their grown children live a comfortable lifestyle. But that lifestyle is no protection against the onslaught of the Holocaust, which eventually scatters the members of the Kurc family among several continents. Genek, the oldest son, is exiled with his wife to a Siberian gulag. Halina, youngest of all the children, works to protect her family alongside her resistance-fighter husband. Addy, middle child, a composer and engineer before the war breaks out, leaves Europe on one of the last passenger ships, ending up thousands of miles away. Then, too, there are Mila and Felicia, Jakob and Bella, each with their own share of struggles—pain endured, horrors witnessed. Hunter conducted extensive research after learning that her grandfather (Addy in the book) survived the Holocaust. The research shows: her novel is thorough and precise in its details. It’s less precise in its language, however, which frequently relies on cliché. “You’ll get only one shot at this,” Halina thinks, enacting a plan to save her husband. “Don’t botch it.” Later, Genek, confronting a routine bit of paperwork, must decide whether or not to hide his Jewishness. “That form is a deal breaker,” he tells himself. “It’s life and death.” And: “They are low, it seems, on good fortune. And something tells him they’ll need it.” Worse than these stale phrases, though, are the moments when Hunter’s writing is entirely inadequate for the subject matter at hand. Genek, describing the gulag, calls the nearest town “a total shitscape.” This is a low point for Hunter’s writing; elsewhere in the novel, it’s stronger. Still, the characters remain flat and unknowable, while the novel itself is predictable. At this point, more than half a century’s worth of fiction and film has been inspired by the Holocaust—a weighty and imposing tradition. Hunter, it seems, hasn’t been able to break free from her dependence on it.

Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.

Pub Date: Feb. 14, 2017

ISBN: 978-0-399-56308-9

Page Count: 416

Publisher: Viking

Review Posted Online: Nov. 21, 2016

Kirkus Reviews Issue: Dec. 1, 2016

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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