Cover art for THE LEFTOVERS
Kirkus Star

THE LEFTOVERS

Buy now from
AMAZON.COM
BARNES & NOBLE
LOCAL BOOKSELLER
Add to my list

KIRKUS REVIEW

A bestselling novelist returns with his most ambitious book to date.

Perrotta’s popular breakthrough with Little Children (2004) received additional exposure from a well-received movie adaptation, and his latest has plenty of cinematic possibility as well. The premise is as simple as it is startling (certainly for the characters involved). Without warning, the Rapture has come to pass, “the biblical prophecy came true, or at least partly true. People disappeared, millions of them at the same time, all over the world.” Yet the novel’s focus isn’t religious, and it really doesn’t concern itself with what happened or why. Instead, as the title suggests, it deals exclusively with those left behind, how they deal with something few had anticipated and fewer had expected to experience. Their world has changed irrevocably, yet in some ways it hasn’t really changed all that much. Life goes on, for the living, though the missing leave huge holes in it. Some deny the religious implications, preferring to refer to the more secular “Sudden Departure”; others question why those with deep flaws had been among the elect. A group that has dubbed itself the “Guilty Remnant” bears silent witness to the world of sin while awaiting its own judgment and reward. The wife of the town’s mayor leaves her home to join them, though “she hadn’t been raised to believe in much of anything, except the foolishness of belief itself.” Their son disappears from college to join the “Healing Hug” movement; their high-school daughter loses her bearings as the family disintegrates. The novel is filled with those who have changed their lives radically or discovered something crucial about themselves, as radical upheaval generates a variety of coping mechanisms. Though the tone is more comic than tragic, it is mainly empathic, never drawing a distinction between “good” and “bad” characters, but recognizing all as merely human—ordinary people dealing with an extraordinary situation.

There’s even a happy ending of sorts, as characters adapt and keep going, fortified by the knowledge that they “were more than the sum of what had been taken from” them.

Pub Date: Aug. 30th, 2011
ISBN: 978-0-312-35834-1
Page count: 336pp
Publisher: St. Martin's
Review Posted Online:
Kirkus Reviews Issue: April 15th, 2011



MORE BY TOM PERROTTA

Fiction Cover art for THE BEST AMERICAN SHORT STORIES 2012
by Tom Perrotta
Fiction Cover art for THE ABSTINENCE TEACHER
by Tom Perrotta
Fiction Cover art for LITTLE CHILDREN
by Tom Perrotta
Fiction Cover art for JOE COLLEGE
by Tom Perrotta
Fiction Cover art for ELECTION
by Tom Perrotta
Fiction Cover art for THE WISHBONES
by Tom Perrotta


SIMILAR BOOKS SUGGESTED BY OUR CRITICS:

Fiction Cover art for NEVER LET ME GO
by Kazuo Ishiguro
Fiction Cover art for FREEDOM
by Jonathan Franzen
Fiction Cover art for THE RAPTURE
by Liz Jensen
Fiction Cover art for AFTER THE APOCALYPSE
by Maureen F. McHugh
Fiction Cover art for WILD ABANDON
by Joe Dunthorne
Fiction Cover art for THE AGE OF MIRACLES
by Karen Thompson Walker


BEA FICTION:

Fiction Cover art for PLUGGED
by Eoin Colfer
Fiction Cover art for THE NIGHT CIRCUS
by Erin Morgenstern
Fiction Cover art for THE PAPERBARK SHOE
by Goldie Goldbloom
Science Fiction Cover art for THE QUANTUM THIEF
by Hannu Rajaniemi
View full list >