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CONFEDERATES IN THE ATTIC

DISPATCHES FROM THE UNFINISHED CIVIL WAR

Horwitz's reflective odyssey uncovers a profoundly disaffected nation, where battles over the Confederate flag, virulent...

Pulitzer Prize-winning journalist Horwitz (Baghdad Without a Map, 1991, etc.) takes an eye-opening turn in the South, where his childhood obsession with the Confederacy collides with hard adult realities about race and culture in America.

Growing up in Virginia, Horwitz painted rebel heroes on the walls of his attic bedroom. Returning home after a decade spent covering foreign wars, he launches a year-long ramble through the landscape of the Civil War, traveling from Virginia to Alabama in search of explanations for his (and America's) continuing interest in the conflict. Horwitz accompanies a hard-core re-enactor obsessed with authenticity (and whose gruesome specialty—"bloating'' in imitation of a corpse—puts him in demand with artists and filmmakers) on "the Civil Wargasm,'' a whirlwind seven-day tour of battlegrounds. He visits Shelby Foote and lesser known historians like Jimmy Olgers, an eccentric storekeeper whose folk museum sports a life-size statue of Robert E. Lee made from sheetrock. Trading notes with park rangers, Horwitz discovers that much of what he knows is more myth than fact and that historical misrepresentation at federally maintained battlefields is frequently abetted by local boosterism. Nowhere is the tension between past and present more raw and divisive than in Richmond, where proposals to honor Arthur Ashe on Monument Avenue, the city's cavalcade of Confederate heroes, spur protests from whites and blacks alike. It's remarkable how much strong emotion the war still evokes (especially in the local taverns and gunshops Horwitz wisely seeks out) and how stubbornly it divides the country along racial lines—a division summed up bluntly by a redneck T-shirt that challenges blacks with a rebel battle flag over the caption, "You wear your X, I'll wear mine.''

Horwitz's reflective odyssey uncovers a profoundly disaffected nation, where battles over the Confederate flag, virulent antigovernment sentiment, and enduring ignorance and bigotry invite some dispiriting conclusions about the prospects for black/white rapprochement.

Pub Date: March 18, 1998

ISBN: 0-679-43978-1

Page Count: 432

Publisher: Pantheon

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 1998

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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