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SELECTED WRITINGS OF TRUMAN CAPOTE

Surprisingly enough, these Truman Capote writings cover 20 years; one would not have thought he'd been at bat that long. Not too surprisingly, they don't all hold up; but, generally, it must be said he scores more often than he strikes out. Certainly his talents are manifold: the quicksilver dialogue, the damning details, the mot juste, the psychologically perceptive blue mood or set. His influences abound, yet he remains an original, from the early Southern Gothic tales with auras of Williams, Faulkner, McGullers and, in that famous shocker Miriam, of Alfred Hitchcock, onwards through Breakfast at Tiffany's and its jazzed-up Christopher Isherwood type heroine, Holly Golightly, plus the New Yorkerish reportage of Porgy and Bess' Russian tour, of Marlon Brando, of travelogues via Ischia, New Orleans, Spain. All and more are here collected; most good, most entertaining. But is he a major writer? No, not by these samplings anyway. Is he even the sure stylist such a tough minded person as Norman Mailer takes him to be? No, not if we compare him to a newcomer like Updike, an oldster like Miss Porter. But he is an exquisitely exotic bloom on our all too exoteric literary landscape, full of variety, full of change. Given a few more imaginistic flights in as many years, he might yet emerge the American Coeteau. Not an unrewarding prospect at all.

Pub Date: Jan. 1, 1963

ISBN: 0394604954

Page Count: 460

Publisher: Random House

Review Posted Online: Oct. 10, 2011

Kirkus Reviews Issue: June 15, 1962

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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